Star Rating: 2/5
- David Robert Mitchell – The Myth of the American Sleepover
- Maika Monroe – At Any Price, Labor Day, Echoes Of War, Independence Day II: Resurgence
- Keir Gilchrist – Dead Silence, Just Peck, The Heyday Of The Insensitive Bastards, Dark Summer
- Olivia Luccardi – The Rewrite, Like Sunday, Like Rain, Ironwood
- Jake Weary – Fred: The Movie I-III, Altitude, Zombeavers, Pretty Little Liars
- Lili Sepe – Spork
- Daniel Zovatto – Beneath, Innocence, Revenge, Primal/Ethereal
The basic principle of a horror film is that it should scare people for much, if not all of the film. Why then, with the exception of last year’s The Babadook, have so many recent horror films not been scary in the least? Simply, watch It Follows and find out.
It Follows centres round nineteen-year-old Jay (Maika Monroe), who lives in the suburbs of Middle America. She goes out on a date with Hugh (Jake Weary) and has sex with him in the back of his car (classy, I know). While taking a break from having sex, Hugh puts a handkerchief wet with chlorophyll over Jay’s mouth and she passes out. When Jay wakes up, she is tied to a chair in an abandoned car park and Hugh tells her that he has passed on to her an STD (a sexually transmitted demon) that will follow her until, either, she has sex with another person or it kills her…
The premise for It Follows is a terrifying one. The threat of acquiring an STD (a disease, that is, as opposed to a demon) is enough to make all sensible people carry protection with them at all times. So, to change the disease element to a demon could have made for really interesting (and frightening) viewing.
Unfortunately, Director David Mitchell has ruined a very good premise with bad execution in several different ways. First, he employs the scene-fading technique too often to dizzy his audience into disinterest. Second, he has too many pointless and uninteresting scenes that add nothing to the plot. Third, the movie is boring and one rapidly becomes impatient for the film to end.
Part of the reason why It Follows is boring is because there is no suspense. The ethereal, atmospheric music that the director employs can only induce terror into viewers when it is timed correctly and if they care about the characters. Alas, Mitchell turns the music on and up to eleven when it is not needed so it never has the desired effect (unless the desired effect is to give audiences a thumping headache); and the characters are so vain and stupid that even if Mitchell had used the music correctly, it would not have heightened one’s sensations as no-one cares about the characters. Jay and her (chemistry-less) friends are so daft, viewers almost pray for the demons to devour them so we can go to the bathroom sooner.
In fairness to Mitchell, he has the right ideas in place to make (what should have been) a scary horror movie. He has taken the right approach by making his characters the central focus of the story (unlike, for example, The Woman In Black where James Watkins made the silly ghost the driving force of the story). Indeed, if Mitchell had made his characters a tad more interesting, perhaps It Follows may have made pulses race after-all.
Additionally, the suburban setting is apt (if cliché) for a scary horror film as suburban areas can create a naturally tense and creepy atmosphere, like in The Babadook. Except, It Follows is neither tense nor scary, and seeing the setting merely reminds one of how good The Babadook was and how much of a let-down It Follows is.
Over-all, It Follows is a dull film. Director David Mitchell may have some good concepts upon how to make a decent film (and one awaits to see what he comes up with next). But his first horror film can only be described as a failure. It Follows does not make viewers feel on-edge or afraid for the characters within the story. Furthermore, the movie wastes its petrifying premise with bad execution. And there is only one crime in film worse than bad execution: boredom. Oh wait, It Follows has that too.