Monthly Archives: June 2013

Review – Star Trek II: Into Darkness 3D (12a) [2013]

Star Trek 2 - title banner

Star Rating: 3/5

Director:

  • JJ Abrams – Lost, Star Trek I-III, Star Wars: Episode VII

Producer:

  • Damon Lindeloff – Lost, Prometheus, The Leftovers

Cast:

  • Chris Pine – Unstoppable, This Means War, Jack Ryan
  • Zachary Quinto – Heroes, Margin Call, The Invitation
  • Zoe Saldana – Avatar I & II, Colombiana, Blood Ties
  • Karl Urban – The Lord of the Rings II & III, The Bourne Supremacy, Riddick
  • Simon Pegg – Paul, The World’s End, Mission: Impossible III-IV & V
  • Alice Eve – Entourage, Men In Black III, Cold Comes The Night
  • Benedict Cumberbatch – Tinker Tailor Soldier Spy, Sherlock, The Hobbit II
  • Bruce Greenwood – Barney’s Version, Super 8, Devil’s Knot
  • Peter Weller – The Sin Eater, 24, Dragon Eyes

Music Composer:

One of the most striking and farcical features of action movies is that there is much shooting, running and chasing, in one form or another, with key aspects of the plots taking place under such circumstances. The Die Hard, Mission: Impossible, and Fast and the Furious franchises all have this odd and surreal symptom. JJ Abrams and Damon Lindeloff, despite creating an enjoyable and watchable film, have taken this symptom to its zenith in Star Trek II: Into Darkness.

Captain James Kirk (Chris Pine) mulling over whether it would be a good idea to take Dr. Carol Marcus (Alice Eve) on board.

Captain James Kirk (Chris Pine) mulling over whether it would be a good idea to take Dr. Carol Marcus (Alice Eve) on board.

Star Trek II begins with the galaxy under threat from John Harrison (Benedict Cumberbatch), a former Starfleet agent. Captain James T. Kirk (Chris Pine) is ordered by Admiral Alexander Marcus (Peter Weller) to lead the USS Enterprise ship to Kronos and kill Harrison. Kirk takes with him Commander Spock (Zachary Quinto), Lieutenant Uhura (Zoe Saldana), Dr. Leonard ‘Bones’ McCoy (Karl Urban), Montgomery ‘Scotty’ Scott (Simon Pegg), and Dr. Carol Marcus (Alice Eve) for assistance.

In essence, that is the plot for Star Trek II: Into Darkness and it makes for an easy and entertaining 132 minutes, irrespective of whether one is a Star Trek fan or not, in the same way as the 2009 Star Trek film did. Moreover, the special effects in Into Darkness are terrific, and the 3D works a treat as well, especially in IMAX, which was designed for such films.

Commander Spock (Zachary Quinto) talking with his girlfriend, Uhura (Zoe Saldana).

Commander Spock (Zachary Quinto) talking with his girlfriend, Uhura (Zoe Saldana).

While Into Darkness has much in common with the 2009 Star Trek movie, the sequel has many more contrived aspects to its storyline than the prequel. One can almost draw the plot arch as the film goes along. Fans, though, are more likely to forgive such plot problems than non-fans. That is, if fans and non-fans have a chance to think about the issues with the storyline while watching the film. JJ Abrams and Damon Lindeloff have made every plot detail and element in Into Darkness be done either on the run or in the midst of a shoot-out. It is as if they knew that the movie’s storyline makes as much sense as Lost did by the end. Abrams (with his trademark lens-flare) and Lindeloff constantly distract viewers from being able to realise the plot’s deficiencies, here, in the same way that shoot-outs, explosions, chase scenes and stunts divert audiences’ attentions from the flaws in the various Die Hard, Mission: Impossible, and Fast and the Furious movies.

Provided one does not focus too much on the storyline of Into Darkness, one can enjoy the contrast in personalities between the impulsive Captain Kirk and the cold, rational Commander Spock, and both Chris Pine and Zachary Quinto play their respective roles very decently. There is also more humour than expected between the two of them, which is always welcome. The same can be said for Karl Urban’s performance as Bones and Simon Pegg’s as Scotty, as they play their roles well without being anything special.

Alas, the same cannot be said for Zoe Saldana as Uhura this time, or Alice Eve as Carol Marcus. Uhura’s role in Into Darkness, unlike in the prequel, is too peripheral and meaningless to be remembered, and Saldana does not do herself justice when on screen; and sad to say, the only thing of note that Eve does as Carol Marcus is to stand in front of Kirk in a bikini. (And the point of that scene was…?)

The villain, John Harrison (Benedict Cumberbatch), fighting against his adversaries who are out to kill him.

The villain, John Harrison (Benedict Cumberbatch), fighting against his adversaries who are out to kill him.

Yet, the real star of the film is Benedict Cumberbatch. His acting, as the villain, is head and shoulders above the rest of the cast. When Cumberbatch speaks, it does not matter what he says or how ludicrous it may sound because it is stated with authority to the extent that implausible matters are believable. Regardless of whether one is a Star Trek fan or not, one should almost watch Into Darkness for Cumberbatch’s performance alone.

Over-all, Star Trek II: Into Darkness is an entertaining film for Star Trek fans and non-fans alike. The special effects are excellent, the relationship between Kirk and Spock is funnier than ever, and Benedict Cumberbatch’s portrayal of the villain is outstanding. Indeed, one does not even need to get over the movie’s virtually non-existent storyline and the ridiculous way in which everything is done at a hundred miles an hour to make up for the plot’s numerous shortcomings to fully appreciate the movie for what it is.

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Review – Iron Man III (12a) [2013]

Iron Man 3 - title banner

Star Rating 2.5/5

Director:

  • Shane Black – Lethal Weapon I-IV, Kiss Kiss Bang Bang, Doc Savage

Cast:

Music Composer:

  • Brian Tyler – Battle: Los Angeles, The Expendables I & II, Now You See Me

In The Avengers Assemble, Tony Stark (Robert Downey Jr.) showed his true colours by stating that he is a “genius, billionaire, playboy, philanthropist.” Indeed, one who has read the Marvel comic-books, or seen Iron Man I & II and The Avengers Assemble, or all of them, knows that Stark thinks highly of himself. But from the trailer of Iron Man III, it appeared that one would see the vulnerable side of Tony Stark for a change. Is this the case?

Tony Stark (Robert Downey Jr.) up at night, working on his numerous projects which he occupies himself with, since he cannot sleep.

Tony Stark (Robert Downey Jr.) up at night, working on his numerous projects which he occupies himself with, since he cannot sleep.

Iron Man III begins with a flashback to New Year’s Eve 1999/2000 when Tony Stark, with scientists Maya (Rebecca Hall) and Aldrich Killian (Guy Pearce), rejects an offer to invest in Extremis, an organisation that deals with experimental treatment to regenerate human limbs that have been severed.

Thirteen/fourteen years later, Stark is having nightmares about the alien invasion that occurred the previous year in The Avengers Assemble. He is suffering from insomnia and anxiety, whilst trying to love Pepper Potts (Gwyneth Paltrow). Yet, the Mandarin (Ben Kingsley) is wreaking havoc upon America with a string of terrorist attacks, using advanced weapons. Soon, he destroys Stark’s house, many of his Iron Man suits, and effectively sends Stark into the wilderness. Stark must find a way back and stop the Mandarin from unleashing more chaos, or else America will fall.

Iron Man III revolves round Tony Stark, and his quick, funny/brash responses. On the periphery, there is a plot (of some sort), some Transformers-style action scenes, plenty of explosions and fire-power, as well as sophisticated special effects in abundance. The problem is that audiences have seen all of these already, and it is starting to get very tedious.

At 133-minutes, Iron Man III is a long film that disappointingly doesn’t add anything new to the series. Worse, after 30 minutes the plausibility of the storyline ceases to exist, and it lazily goes from one plot contrivance to the next. If that doesn’t illustrate Shane Black’s contempt for the audience, the last scene renders all but the first 30 minutes of the movie as a waste of time. Couldn’t Black have just cut out all of the excess baggage and got straight to the chase? (Or, alternatively, forged a plot that actually works?)

The Mandarin (Ben Kingsley), looking and preaching much like Osama Bin Laden, in a broadcast threatening to destory America if the country does not change its ways.

The Mandarin (Ben Kingsley), looking and preaching much like Osama Bin Laden, in a broadcast threatening to destory America if the country does not change its ways.

Iron Man III also suggests that the franchise is starting to suffer from the issues that are synonymous with other series, like Pirates of the Caribbean, Die Hard, and Fast and the Furious: notably, going on too long, laziness, repetitiveness, and going back in time to make (semi-)viable storylines. The very fact that Iron Man III starts by going back in time should set alarm bells ringing in one’s mind. If the franchise has not bothered until now to mention important things that the key character has done, why should viewers believe that they are significant?

With the exceptions of young Ty Simpkins, who is cute and amusing, and Ben Kingsley, who is brilliant as the terrifying (Osama Bin Laden-like) Mandarin, the rest of the cast could not be more two-dimensional if they tried. Robert Downey Jr. plays the same energetic, narcissistic character (himself) as he did in Iron Man I & II (not to mention in The Avengers Assemble, Sherlock Holmes I & II, and Due Date). Yes, Stark is smart, sharp and impertinent, and Downey Jr. does this well (as we know he can). But, in Iron Man III, Downey Jr. was meant to display his character suffering from insomnia and panic attacks. One is hard-pressed to find an instance of Stark genuinely looking like he was suffering from such problems, which is poor on Downey Jr.’s behalf. It is a shame, too, because one might have seen Downey Jr. actually challenging himself for a change.

Gwyneth Paltrow, playing as Stark’s secretary, is little more than a one-dimensional, pointless blonde doll. Despite loving a man who loves himself more than he loves her (or anyone else for that matter), it is difficult to empathise with Pepper as she is so bland.

Stark in a broken Iron Man suit and in the winter wilderness of Tennessee. How will he ever get back if he is to save the country he has sworn to protect?

Stark in a broken Iron Man suit and in the winter wilderness of Tennessee. How will he ever get back if he is to save the country he has sworn to protect?

Rebecca Hall’s performance suffers from similar problems as Maya’s character is not especially interesting, nor well defined, and her importance to the plot is dubious at best. Don Cheadle plays decently enough in his simple role as Stark’s (patient) understudy. Guy Pearce once again plays another egotistical, two-dimensional individual (he’s making a habit of this following his roles in The Count of Monte Cristo, The King’s Speech and Justice). At least, though, the cosmetic department did a fantastic job on him. In the first scene, Pearce is unrecognisable, which is a great contrast to Stark failing to even have bags under his eyes when (supposedly) suffering from major sleep deprivation. Would it have been so hard to have put eye shadow under Downey Jr.’s eyes?

Over-all, Iron Man III is much the same as the previous two Iron Man films. It follows Tony Stark being Tony Stark; Stark flies and fights in his Iron Man costume; and there are special effects galore that one’s seen before. The movie tries to show us some of Stark’s weaknesses, but fails miserably at this and the attempts at doing so are feeble. Moreover, the laziness of the entire production suggests that the franchise is drained of ideas and lost for care.

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