Star Rating 5/5
Director:
- Tom Ford – A Single Man
Cast:
- Amy Adams – Catch Me If You Can, The Fighter, The Master, Her, Man of Steel, Big Eyes, Batman v Superman, Arrival
- Jake Gyllenhaal – The Day After Tomorrow, Source Code, Prisoners, Southpaw, Stronger
- Armie Hammer – Gossip Girl, The Social Network, Edgar, The Man From UNCLE, Jackpot
- Isla Fisher – Wedding Crashers, Confessions of A Shopaholic, Now You See Me I & II, Keeping Up With The Joneses
- Michael Shannon – Revolutionary Road,Take Shelter, Mud, Man of Steel, Batman v Superman, Elvis & Nixon
- Ellie Bamber – The Falling, Pride and Prejudice and Zombies, The Nutcracker and the Four Realms
- Laura Linney – The Truman Show, Love Actually, John Adams, The Dinner
- Andrea Riseborough – Shadow Dancer, Oblivion, Birdman, National Treasure, The Death of Stalin
- Michael Sheen – Frost/Nixon, Twilight II & IV(i)-(ii), Alice In Wonderland I & II, Passengers
- Karl Glusman – Love, Stonewall, The Neon Demon, Above Suspicion
- Robert Aramayo – Game of Thrones, The Empty Man, Lost In Florence
- Aaron Taylor-Johnson – Nowhere Boy, Kick-Ass I & II, Godzilla, The Wall
Music Composer:
- Abel Korzeniowski – A Single Man, W.E., Romeo & Juliet, Penny Dreadful
The Light Between Oceans (TLBO) looked like a film that, at first glance, was Oscar material. It had the cast, the ideas and the cinematography to be a great film. But it was a total mess of a movie and a real disappointment. By way of contrast, Nocturnal Animals has similar components. Only, it is brilliant.
Susan (Amy Adams), alone in her mansion, drinking whiskey. She has such blue and sad eyes that are full of the deepest of emotions.
Nocturnal Animals is a film based on the 1993 book, Tony and Susan, by Austin Wright. Susan (Amy Adams) is a modern-art gallery owner. One day, as her second husband, Walker (Armie Hammer), goes off on a ‘business trip,’ Susan gets a package in the post. It is from her first husband, Edward (Jake Gyllenhaal), whom Susan left twenty years ago. He has sent her a manuscript of his new book, entitled ‘Nocturnal Animals,’ and wants to hear her opinion.
Alone in her beautiful mansion overlooking LA, Susan picks up the manuscript and begins reading it. However, as she reads it, she is forced to relive and confront some demons from her past. Notably: her marriage to Edward and why it broke down.
Nocturnal Animals is full of suspense, tense and gripping. It is a phenomenal story within a story movie, in which both stories are fascinating for very different reasons: the first is about Susan/Amy Adams, who lives the high (empty) life in LA, but is deeply unhappy; the second is about a good family, consisting of Tony (Jake Gyllenhaal), Laura (Isla Fisher, who bears an uncanny resemblance to Amy Adams), and India (Ellie Bamber), on their way to a vacation that goes violently wrong, and a thirst for justice/vengeance ensues. Both stories could be feature films in their own rights. Yet, Director Tom Ford links them together superbly so that the second story enhances our understanding of the first and is a metaphor for it.
Tony (Jake Gyllenhaal, who also plays Edward) and detective Bobby (Michael Shannon) in the rocky plains in the middle of nowhere in Texas, searching for the scene of the crime.
Like TLBO, Nocturnal Animals deals with a plethora of complex issues, such as love, regret, people turning into their parents, justice, revenge, and actions having consequences. But unlike TLBO, Nocturnal Animals gives substance to these issues and the result makes for a deeply satisfying watch.
Suffice to say, the whole cast excels. Amy Adams is the standout performer as the successful but emotionally broken main character, who became everything she did not want to be; Jake Gyllenhaal fits seamlessly into both the sensitive Edward and the traumatised Tony; Michael Shannon feels genuine as the detective tracking down the sick thugs who commit the heinous crimes on Tony’s family; and Aaron Taylor-Johnson is unrecognisable as the leading hillbilly hoodlum.
Furthermore, Ford’s style of directing and the music heighten the tension throughout the movie. Ford holds onto scenes (particularly the horrific ones) for longer than audiences would like. This induces fear and an unnerving sensation into viewers. The music augments this with pulsing thuds and plucky string noises to further unsettle audiences.
Ray (Aaron Taylor-Johnson) looking like he is about to break into sadistic laughter.
And if that weren’t enough, the locations add an organic terror. Nocturnal Animals lacks the beauty of landscapes such as those seen in The Way Back, The Revenant and TLBO. But the fine-looking houses have a dangerous edge, as if they suck one into a vacuous void that one cannot get out of; and the deserted planes of the Deep South, the long highways, and the abandoned dusty shacks in the middle of nowhere (where one imagines unspeakable crimes occurring in the real world) ramp up the tension to intolerable levels.
All-in-all, Nocturnal Animals is an outstanding movie. It is an arresting thriller that is absolutely flawless both narratively and in its execution. While TLBO looked like Oscar material but failed to live up to its own (high) standards, Nocturnal Animals looks the part and succeeds in the most impressive and profound ways.
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