Tag Archives: review

Review – Unstoppable (12a) [2010]

Star Rating: 4/5

A film about a runaway freight train was never going to be a classic. Like The Taking of Pelham 123, Speed and Gone in Sixty Seconds, to mention three of countless such films, one could only hope that this film would be entertaining and nerve-racking. It is both!

When I first saw the trailer for Unstoppable, it reminded me of an episode from Thomas The Tank Engine, entitled The Runaway. As a kid, seeing Thomas steaming away without his driver and fireman made my heart pound every time. Except, this film is not about a little tank engine with two coaches running down a harmless train line. Unstoppable is based on true events about an unmanned monster freight-train, half a mile long, travelling at such a speed it can demolish anything in its wake. Worse, it is coupled to wagons containing highly inflammable/explosive materials, going through populated areas and heading straight towards a curve at Stanton, a densely populated town in southern Pennsylvania. Worse still, a group of school-children heading for a field trip, are on the same line as the runaway train heading for a collision!

Will and Frank on a siding trying to work out how they are going to stop the train

If the situation is not enough to put one on edge; the director, Tony Scott (Top Gun, The Taking of Pelham 123, Stoker), constantly changes scenes back and forth during conversations between officials, managers and the main characters to induce further panic into the audience. The fast-beats, the crescendos and the sudden silences ensure that viewers will never take their eyes of the screen.

Unlike the plot and the music, the acting is not as dramatic. Indeed, one thing that should be noted is how un-melodramatic and realistic the acting is. Frank (Denzel Washington – American Gangster, The Inside Man) and Will (Chris Pine – Star Trek I & II, This Means War), as normal railway drivers, do not have the most challenging of roles. Yet, they play them well without reverting to cringe-worthy clichés. Despite understanding the gravity of the situation, and reacting to it in the best way they feel they can; Frank and Will spare some time for banter and heart-to-heart conversations. After-all, what else can they do in their train’s cabin whilst they hurry along the line to try and catch the monster freight-train?

Nothing gets in the way of the monster runaway train.

The realism of their roles is similarly reflected by the behaviour of their manager, Connie (Rosario Dawson – Sin City, Trance), who wants to save as many lives as possible; and her boss, Galvin (Kevin Dunn – Transformers), who has several factors to take into account, such as commercial, financial, damage to infrastructure and, lastly, human life. Connie and Galvin are constantly on the phone to one another (as well as to Frank), trying to solve the problem as to how to stop the train. Whilst on the phone, they speak in a relatively cordial manner; off the phone, the number of expletives they shout about one another is both realistic and funny. Indeed, one could imagine this occurring in an office in an under-pressure situation.

The realistic elements to the film, the music and the plot make for easy and entertaining viewing. By no means is Unstoppable a five-star film; but one’s adrenaline will be doing overtime long before the end of the movie.

PG’s Tips

Review – Harry Potter & The Deathly Hallows: Part I (12a) [2010]

Star Rating: 3/5

Harry Potter and the Deathly Hallows, the seventh and final part of the Harry Potter series (albeit split into two films), was going to have to be a climactic masterpiece if it was to reach the unrealistic expectations of fans and critics alike. That it looked darker and more ominous than the previous six films merely added to the hype.

Film seven kicks off where the sixth film, Harry Potter and the Half-Blood Prince, left off. The time has come for Hogwarts’ prodigal apprentice, Harry Potter (Daniel Radcliffe – Harry Potter I-VII(ii), The Woman In Black), to leave the comforts of his school. Now, he must find and vanquish the Hawcruxes, since this is the only way he will have a chance of defeating his eternal nemesis: the ever-more-powerful Dark Lord, Voldemort (Ralph Fiennes – Schindler’s List, The Reader, Harry Potter IV, V & VII(ii)). Joining Harry will be the young spell-mistress of her generation, Hermione Grainger (Emma Watson – Harry Potter I-VII(ii), My Week With Marilyn); and their goofy friend and below-average wizard, Ron Weasely (Rupert Grint – Harry Potter I-VII(ii)).

Against them stands an awesome array of Voldemort’s allies, including Belatrix (Helena Bonham Carter – Fight Club, Harry Potter V-VII(ii), The King’s Speech), the Death Eaters, Professor Snape (Alan Rickman – Die Hard, Harry Potter I-VII(ii), Alice in Wonderland), Draco Malfoy (Tom Felton – The Borrowers, Harry Potter I-VII(ii), Rise of the Planet of the Apes) and his father, Lucius Malfoy (Jason Isaacs – The Patriot, Green Zone, Harry Potter II, IV, V, VII(ii)); not to mention countless others who are willing to assist the Dark Lord with his evil plans. Voldemort aside, these are the same villains who killed Albus Dumbledore, Harry’s master, in the previous film. Now, it is up to the precocious, but unready Harry to somehow deal with them as they relentlessly hound him.

Harry, Ron and Herminone working out where to next in their search for the Hawcruxes

How Harry and his friends were going to take on the villains was always going to be the key to the plot. But the plot is slow. At times, it is tedious to the point of disinteresting. (Unless, of course, you are a die-hard fan of which I am not.) Just like in the Half-Blood Prince, the director, David Yates (Harry Potter IIIVII(ii)), focuses more on the relationship between Harry, Hermione and Ron rather than the storyline. Again, the film is dominated by the ever-worsening sexual tension/frustration that the three main characters suffer. (One almost wants them to do it and get it over with just so the story can move on.)

But this is not the only thing that Harry, Hermione and Ron have to endure. They look lost away from their safe bubble-world of Hogwarts. Tiredness and helplessness is never far from their faces. But aside from this, the quality of the acting from the three main actors is, in general, far from great. Radcliffe and Grint remain more or less the same poor, two-dimensional characters they’ve always been. Emma Watson, at least, gives a slightly more mature performance than in previous films. She also has more of a leading role this time around; possibly even eclipsing Radcliffe. But apart from looking pretty, the role of Hermione still does not come overtly naturally to Watson. She tries too hard and takes herself too seriously.

Voldemort, the Dark Lord, unleashes some of his frightening dark powers. It is a pity that we see so little of him throughout the film.

In contrast, the villains do not take themselves seriously. For most other films, this would be a source of ridicule for the actors. However, Fiennes, Carter and Rickman skilfully pull off their roles. The great shame is how little they appear on-screen. This is a tragedy, since the Deathly Hallows should be about the villains as much as Harry. One even sees more of the Ministry of Magic, whose interior looks like a larger and more advance form of the Houses of Parliament (with a superficial Orwellian/1984 feel); and Lucius Malfoy’s mansion, which appears to be a real-life version of the enchanted castle in Disney’s Beauty and the Beast, than the villains.

The choreography of these and other places, plus the special effects throughout the film are well done. Indeed, they are so good one could mistake the computer generated images (CGI) for being real. This is no mean feat for a fantasy film. Many films, and not just from this genre, fall at this hurdle.

The scenery throughout the movie is equally as impressive and well chosen; whether it is of a forest, a hill-top or an open plain. The landscape and weather always seem to fit in effortlessly with the mood of the scene. Yet, unlike for example in the Lord of the Rings, the landscapes and the choreography are not equalised in the Deathly Hallows by the quality of the acting or the grip of the plot. By the end, one only has a rough idea as to how the ‘Deathly Hallows’ is even relevant to the story.

However, despite these flaws, does Part I leave us wanting to see Part II? Without a doubt: yes. After-all, we have followed Harry for so long how could we possibly miss out on witnessing his duel of destiny with Voldemort?

PG’s Tips