Star Rating: 2.5/5
The poverty of Clash of the Titans was so blatant, it was embarrassing. Yet, after making an astonishing near-$500million, Hollywood has (rather unsurprisingly) made a sequel. And with Jonathan Liebesman (Darkness Falls, Battle: Los Angeles, Ninja Turtles) replacing Louis Leterrier as director, Wrath of the Titans is a marked improvement on the first in the series.
Wrath of the Titans takes place in ancient Greece, ten years after Perseus defeated the kraken. With his wife now dead, Perseus (Sam Worthington – Clash of the Titans, The Debt, Drift) has to bring up his son, Helius (John Bell – A Shine of Rainbows, Battleship, The Hobbit I-II), alone.
It is then that Zeus (Liam Neeson – Star Wars I, Clash of the Titans, The Dark Knight Rises), Perseus’s father, comes to Earth to warn his son that the gods need the help of the ‘half-gods’ to defeat the storm that is coming in the form of the vengeful titans. With treachery afoot in Tartarus, the underworld in which Hades (Ralph Fiennes – Clash of the Titans, Harry Potter VII(ii), Skyfall) is lord, it is only a matter of time before Cronus, the leader of the titans, unleashes his fury. Perseus will need the help of Hephaestus (Bill Nighy – Pirates of the Caribbean II-III, Harry Potter VII(i), I, Frankenstein), Queen Andromeda (Rosamund Pike – Die Another Day, An Education, Gone Girl) and her men, as well as the last of the gods and the ‘half-gods’ to defeat the evil that is to strike at ancient Greece.
Yes, the storyline is as ludicrous as that. When a film opens up with a narrator saying that the ancient world was ruled by “gods and monsters,” one has a fairly good idea that he/she is not going to be watching a classic, intellectually-stimulating film (to say the least).
Nonetheless, Wrath of the Titans is far from a hundred minutes of painful viewing. To make up for the plot’s (abundant) deficiencies, the film has many fighting scenes and a plethora of pretty good special effects to keep viewers entertained. The clockwork-like structure of the city of Tartarus has been put together exceptionally well, with much creativity and imagination. If there is one redeeming feature of the movie, it is Tartarus. (And it would have looked even better had the producers bothered to put some effort into the 3D.)
In addition, Wrath of the Titans is surprisingly accurate when it comes to informing its audience on certain aspects of ancient Greek mythology, such as how Hades became Lord of the Underworld; and who made his forked-pitch, as well as Zeus’ bolt and Poseidon’s triton.
However, the parts of the movie that have been done well are likely to be forgotten amidst the paucity of the rest of it. The music sounds like a contrived version of the uplifting score used in Transformers I-III. And if the music and the storyline aren’t bad enough, the acting and the dialogue are wooden and shallow. Sam Worthington, Rosamund Pike, Edgar Ramires (The Bourne Ultimatum, Carlos the Jackal, Zero Dark Thirty), playing Ares, and Toby Kebbell (Match Point, Prince of Persia: Sands of Time, The East), playing Agenor, are all seemingly unfit for their respective roles (and it’s not as if Worthington hasn’t played a hero before either).
Moreover, one must wonder why Liam Neeson, Ralph Fiennes and, to some extent, Bill Nighy, who reprises his bizarre Scottish accent that he used in Pirates of the Caribbean II-III, would accept such roles. One almost doesn’t want to see them in these sorts of films as they can only humiliate themselves by doing so. (Seriously, do they need the money that much?)
All-in-all, Wrath of the Titans suffers from similar insufficiencies as Clash of the Titans. The film has a ludicrous storyline, a cast that plays poorly, and an appalling script. Nonetheless, Wrath of the Titans is quite entertaining and an upgrade on the first in the series. Not that that is saying much.