Star Rating: 1/5
Films involving aliens are usually slammed by critics for a reason. Granted, normally such movies are about alien invasions rather than comedies. Paul might be a comedy; but it still deserves as much ridicule as every other alien invasion movie that has gone awry.
Paulis about Graeme (Simon Pegg – Shaun of the Dead, Hot Fuzz, Mission: Impossible IV – Ghost Protocol) and Clive (Nick Frost – Shaun of the Dead, Hot Fuzz, Snow White and the Huntsman), two lame, comic-book, sci-fi nerds who are on a caravan road-trip of the west-coast of America. They intend to see the locations of sightings of UFOs and other weird events that have taken place in America, which they’ve read about. The trip is seemingly going according to plan, when they stumble across a stereo-typical looking alien. His name is Paul and he has a thick Californian accent (voice by Seth Rogen – Donnie Darko, Knocked Up, Steve Jobs). Paul is rude; he smokes and behaves like a douche.
Within a short time, Paul asks Graeme and Clive if they can help him reach the place where his spaceship will pick him up. The two men (so thrilled to meet an alien after reading so much about them over the years) agree; even if it does take them off-course. Yet, no sooner have they agreed when they learn that the cops, notably Llorenzo Zoil (Jason Bateman – Smokin’ Aces, Forgetting Sarah Marshall, Hancock), are following them in order to capture the alien.
The storyline may sound entertaining and amusing; but it is far from either. The acting from the entire cast is pathetic, and few of the jokes are funny. Although most people would not imagine an alien to behave like Paul does; the humour is shallow. Paul frequently resorts to swearing in a vain attempt to make people laugh. In addition, the other main characters rarely force a smile from the audience. They are so sad and odd that one finds it hard to identify with them.
The acting and dialogue are definitely the worst parts of the film. The choreography is quite decent, but nothing of note. As for the special effects and cinematography: let’s not go down there. They may not be as bad as other aspects of the movie; but, still, one would be surprised if the director, Greg Mottola (Superbad, Adventureland), recognised that such things existed after watching a film like Paul.
In short, Paul is an early candidate for disaster movie of the year. It has no redemptive features; and, above-all, as a comedy, the film fails to do its prime duty: to make the audience laugh.