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Review – Mission: Impossible V – Rogue Nation (12a) [2015]

MI-V - Title banner

Star Rating: 3.5/5

Director:

  • Christopher McQuarrie – The Usual Suspects, Valkyrie, Jack Reacher, Edge of Tomorrow

Cast:

  • Tom Cruise – Eyes Wide Shut, Valkyrie, Mission: Impossible I-IV, Jack Reacher I & II
  • Jeremy Renner – SWAT, Mission: Impossible IV, The Avengers Assemble I & II, , Captain America III
  • Alec Baldwin – The Aviator, To Rome With Love, Blue Jasmine, Still Alice, Caught Stealing
  • Rebecca Ferguson – Drowning Ghost, The White Queen, Hercules, Despite The Falling Snow
  • Ving Rhames – Pulp Fiction, Surrogates, Mission: Impossible I-IV, Operator
  • Simon Pegg – Big Nothing, Mission Impossible III-IV, Paul, Star Trek I, II & III
  • Sean Harris – Harry Brown, The Borgias, Prometheus, ‘71, Macbeth
  • Simon McBurney – The Last King of Scotland, Harry Potter VII(i), The Borgias, The Theory of Everything
  • Tom Hollander – Enigma, Pirates of the Caribbean II-III, American Dad!, Jungle Book: Origins
  • Jens Hultén – The Border, Skyfall, Ragnorak, Johan Falk: Lockdown

Music Composer:

  • Joe Kraemer – The Thirst, Confession of A Gangster, Jack Reacher, Titans of Justice

What has become of the Mission: Impossible franchise? The first film was a proper espionage thriller with a tough mission and the odd elaborate action stunt to give credence to the film’s title. But by the second film, the espionage element had given way to entertaining, if unfeasible action stunts and the veneration of Tom Cruise’s alter ego, Ethan Hunt. And by the fourth film, the storyline had given way to even more entertaining, unfeasible action stunts and venerated Tom Cruise’s alter ego to the point of deification. So what could one expect from Mission: Impossible V – Rogue Nation (M:I-V)? Well, more of the same really!

Ethan Hunt (Tom Cruise) and William Brandt (Jeremy Renner) working together to uncover the Syndicate.

Ethan Hunt (Tom Cruise) and William Brandt (Jeremy Renner) working together to uncover the Syndicate.

M:I-V centres round Ethan Hunt (Tom Cruise, who else?) hunting down the Syndicate, an international criminal organisation, and its leader Solomon Lane (Sean Harris). However, the Impossible Mission Force (IMF) that Ethan is part of is being closed down by CIA Director Alen Hunley (Alec Baldwin). The CIA believes that the Syndicate does not exist and that the IMF is causing embarrassment to the CIA/America due to its unorthodox methods. They want Ethan to turn himself in.

But rather than hand himself in, Ethan chooses to go rogue so as to uncover the Syndicate and to find Lane, himself. And he will start by going after Ilsa Faust (Rebecca Ferguson).

That is the vague outline of M:I-V’s plot. But, in truth, M:I-V has no plot. The film flagrantly does not care for the spy thriller ingredient that made the first film so interesting. Instead, M:I-V prefers to go from one entertaining, over-the-top action stunt to another. Indeed, it wouldn’t matter which order the action stunts occurred as the storyline and the dialogue make no sense at all; although, having the first stunt as the one where Ethan hangs off a taking-off aeroplane does set the tone for the rest of the movie. And, astonishingly, Director Christopher McQuarrie manages to maintain this tone for its entire duration. The stunts get ever more outlandish and creative to the extent that one has to question who came up with these ideas (and how) because they are ingenious.

Isla Faust (Rebecca Ferguson) on a bike and in possession of something Ethan needs. Thus, a high-speed bike chase is about to begin...

Isla Faust (Rebecca Ferguson) on a bike and in possession of something Ethan needs. Thus, a high-speed bike chase is about to begin…

However, M:I-V does not solely consist of ingenious, if totally unrealistic action stunts. The film consists of a good amount of banter between the protagonists (more so than in previous instalments), and gives viewers the sense that a family unit is developing within the IMF now that Tom Cruise and Ving Rhames has been in all five films, Simon Pegg has been in them since the third one, and Jeremy Renner since the fourth. Each member of the team has a particular role and whether it is Cruise as Action Man come again and the mastermind who exposes the movie’s villain(s); Rhames as Ethan’s reliable sidekick Luther; Simon Pegg as Ethan’s reliable but goofy, tech-nerd Benji; or Renner as Ethan’s boss Brandt (who Ethan regularly disobeys to ever positive results), each one of them looks like they are enjoying their roles and they make some funny puns whilst they’re at it as well.

Unsurprisingly, Cruise, Rhames, Pegg and Renner all play well in M:I-V even if they do nothing spectacular. Rather, it is the newcomers that arguably make the most impressions on viewers. Rebecca Ferguson, as the ambiguous Ilsa Faust, makes the greatest impression of them all. She is beautiful, sexy and can kick arse! That she holds up against Tom Cruise (and may, heaven forbid, outshine him in his own film) speaks volumes for her talents as an actress.

Yet, the rest of the cast do not have the same impact on viewers. Sean Harris plays decently as the main villain, Solomon Lane. Harris/Lane is cold, unflinching and meant to be scary. But because he is given little screen time or background story, audiences don’t get the chance to feel much for him by the end. For similar reasons, one feels little for Alec Baldwin as the CIA director and Simon McBurney as the head of the British secret services, even if neither of them play badly with the material or time they’re given.

Solomon Lane (Sean Harris), the ice-cold, sociopathic villain at the head of the Syndicate.

Solomon Lane (Sean Harris), the ice-cold, sociopathic villain at the head of the Syndicate.

It would have been intriguing to learn more about these characters as they seem, ostensibly, to have depth and more to say for themselves. But to explore them would have meant that the film-makers would have had to come up with a genuine storyline and spent less time showing us how awesome Tom Cruise is. And that would have defeated the whole purpose of M:I-V.

Over-all, M:I-V is a highly enjoyable action film. It has little place for clever espionage and has a veneer of a storyline that does not work at any level. Nevertheless, the movie glorifies Tom Cruise; has plenty of action sequences; several implausible action stunts; good chemistry and humour from the returning cast; and includes a gorgeous, strong female character that could fit seamlessly into any Marvel comic-book film. Thus, M:I-V delivers unashamedly on everything it sets out to achieve.

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Review – Star Trek II: Into Darkness 3D (12a) [2013]

Star Trek 2 - title banner

Star Rating: 3/5

Director:

  • JJ Abrams – Lost, Star Trek I-III, Star Wars: Episode VII

Producer:

  • Damon Lindeloff – Lost, Prometheus, The Leftovers

Cast:

  • Chris Pine – Unstoppable, This Means War, Jack Ryan
  • Zachary Quinto – Heroes, Margin Call, The Invitation
  • Zoe Saldana – Avatar I & II, Colombiana, Blood Ties
  • Karl Urban – The Lord of the Rings II & III, The Bourne Supremacy, Riddick
  • Simon Pegg – Paul, The World’s End, Mission: Impossible III-IV & V
  • Alice Eve – Entourage, Men In Black III, Cold Comes The Night
  • Benedict Cumberbatch – Tinker Tailor Soldier Spy, Sherlock, The Hobbit II
  • Bruce Greenwood – Barney’s Version, Super 8, Devil’s Knot
  • Peter Weller – The Sin Eater, 24, Dragon Eyes

Music Composer:

One of the most striking and farcical features of action movies is that there is much shooting, running and chasing, in one form or another, with key aspects of the plots taking place under such circumstances. The Die Hard, Mission: Impossible, and Fast and the Furious franchises all have this odd and surreal symptom. JJ Abrams and Damon Lindeloff, despite creating an enjoyable and watchable film, have taken this symptom to its zenith in Star Trek II: Into Darkness.

Captain James Kirk (Chris Pine) mulling over whether it would be a good idea to take Dr. Carol Marcus (Alice Eve) on board.

Captain James Kirk (Chris Pine) mulling over whether it would be a good idea to take Dr. Carol Marcus (Alice Eve) on board.

Star Trek II begins with the galaxy under threat from John Harrison (Benedict Cumberbatch), a former Starfleet agent. Captain James T. Kirk (Chris Pine) is ordered by Admiral Alexander Marcus (Peter Weller) to lead the USS Enterprise ship to Kronos and kill Harrison. Kirk takes with him Commander Spock (Zachary Quinto), Lieutenant Uhura (Zoe Saldana), Dr. Leonard ‘Bones’ McCoy (Karl Urban), Montgomery ‘Scotty’ Scott (Simon Pegg), and Dr. Carol Marcus (Alice Eve) for assistance.

In essence, that is the plot for Star Trek II: Into Darkness and it makes for an easy and entertaining 132 minutes, irrespective of whether one is a Star Trek fan or not, in the same way as the 2009 Star Trek film did. Moreover, the special effects in Into Darkness are terrific, and the 3D works a treat as well, especially in IMAX, which was designed for such films.

Commander Spock (Zachary Quinto) talking with his girlfriend, Uhura (Zoe Saldana).

Commander Spock (Zachary Quinto) talking with his girlfriend, Uhura (Zoe Saldana).

While Into Darkness has much in common with the 2009 Star Trek movie, the sequel has many more contrived aspects to its storyline than the prequel. One can almost draw the plot arch as the film goes along. Fans, though, are more likely to forgive such plot problems than non-fans. That is, if fans and non-fans have a chance to think about the issues with the storyline while watching the film. JJ Abrams and Damon Lindeloff have made every plot detail and element in Into Darkness be done either on the run or in the midst of a shoot-out. It is as if they knew that the movie’s storyline makes as much sense as Lost did by the end. Abrams (with his trademark lens-flare) and Lindeloff constantly distract viewers from being able to realise the plot’s deficiencies, here, in the same way that shoot-outs, explosions, chase scenes and stunts divert audiences’ attentions from the flaws in the various Die Hard, Mission: Impossible, and Fast and the Furious movies.

Provided one does not focus too much on the storyline of Into Darkness, one can enjoy the contrast in personalities between the impulsive Captain Kirk and the cold, rational Commander Spock, and both Chris Pine and Zachary Quinto play their respective roles very decently. There is also more humour than expected between the two of them, which is always welcome. The same can be said for Karl Urban’s performance as Bones and Simon Pegg’s as Scotty, as they play their roles well without being anything special.

Alas, the same cannot be said for Zoe Saldana as Uhura this time, or Alice Eve as Carol Marcus. Uhura’s role in Into Darkness, unlike in the prequel, is too peripheral and meaningless to be remembered, and Saldana does not do herself justice when on screen; and sad to say, the only thing of note that Eve does as Carol Marcus is to stand in front of Kirk in a bikini. (And the point of that scene was…?)

The villain, John Harrison (Benedict Cumberbatch), fighting against his adversaries who are out to kill him.

The villain, John Harrison (Benedict Cumberbatch), fighting against his adversaries who are out to kill him.

Yet, the real star of the film is Benedict Cumberbatch. His acting, as the villain, is head and shoulders above the rest of the cast. When Cumberbatch speaks, it does not matter what he says or how ludicrous it may sound because it is stated with authority to the extent that implausible matters are believable. Regardless of whether one is a Star Trek fan or not, one should almost watch Into Darkness for Cumberbatch’s performance alone.

Over-all, Star Trek II: Into Darkness is an entertaining film for Star Trek fans and non-fans alike. The special effects are excellent, the relationship between Kirk and Spock is funnier than ever, and Benedict Cumberbatch’s portrayal of the villain is outstanding. Indeed, one does not even need to get over the movie’s virtually non-existent storyline and the ridiculous way in which everything is done at a hundred miles an hour to make up for the plot’s numerous shortcomings to fully appreciate the movie for what it is.

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Review – Paul (15) [2011]

Star Rating: 1/5

Films involving aliens are usually slammed by critics for a reason. Granted, normally such movies are about alien invasions rather than comedies. Paul might be a comedy; but it still deserves as much ridicule as every other alien invasion movie that has gone awry.

Paulis about Graeme (Simon Pegg – Shaun of the Dead, Hot Fuzz, Mission: Impossible IV – Ghost Protocol) and Clive (Nick Frost – Shaun of the Dead, Hot Fuzz, Snow White and the Huntsman), two lame, comic-book, sci-fi nerds who are on a caravan road-trip of the west-coast of America. They intend to see the locations of sightings of UFOs and other weird events that have taken place in America, which they’ve read about. The trip is seemingly going according to plan, when they stumble across a stereo-typical looking alien. His name is Paul and he has a thick Californian accent (voice by Seth Rogen – Donnie Darko, Knocked Up, Steve Jobs). Paul is rude; he smokes and behaves like a douche.

Within a short time, Paul asks Graeme and Clive if they can help him reach the place where his spaceship will pick him up. The two men (so thrilled to meet an alien after reading so much about them over the years) agree; even if it does take them off-course. Yet, no sooner have they agreed when they learn that the cops, notably Llorenzo Zoil (Jason Bateman – Smokin’ Aces, Forgetting Sarah Marshall, Hancock), are following them in order to capture the alien.

The main characters, including Ruth (Kristen Wiig), far left, and Tara (Blythe Danner), far right, looking up at the bright lights in the night sky. Is it the spaceship to take Paul home?

The storyline may sound entertaining and amusing; but it is far from either. The acting from the entire cast is pathetic, and few of the jokes are funny. Although most people would not imagine an alien to behave like Paul does; the humour is shallow. Paul frequently resorts to swearing in a vain attempt to make people laugh. In addition, the other main characters rarely force a smile from the audience. They are so sad and odd that one finds it hard to identify with them.

The acting and dialogue are definitely the worst parts of the film. The choreography is quite decent, but nothing of note. As for the special effects and cinematography: let’s not go down there. They may not be as bad as other aspects of the movie; but, still, one would be surprised if the director, Greg Mottola (Superbad, Adventureland), recognised that such things existed after watching a film like Paul.

In short, Paul is an early candidate for disaster movie of the year. It has no redemptive features; and, above-all, as a comedy, the film fails to do its prime duty: to make the audience laugh.

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