Star Rating: 3.5/5
Director:
- Christopher McQuarrie – The Usual Suspects, Valkyrie, Jack Reacher, Edge of Tomorrow
Cast:
- Tom Cruise – Eyes Wide Shut, Valkyrie, Mission: Impossible I-IV, Jack Reacher I & II
- Jeremy Renner – SWAT, Mission: Impossible IV, The Avengers Assemble I & II, , Captain America III
- Alec Baldwin – The Aviator, To Rome With Love, Blue Jasmine, Still Alice, Caught Stealing
- Rebecca Ferguson – Drowning Ghost, The White Queen, Hercules, Despite The Falling Snow
- Ving Rhames – Pulp Fiction, Surrogates, Mission: Impossible I-IV, Operator
- Simon Pegg – Big Nothing, Mission Impossible III-IV, Paul, Star Trek I, II & III
- Sean Harris – Harry Brown, The Borgias, Prometheus, ‘71, Macbeth
- Simon McBurney – The Last King of Scotland, Harry Potter VII(i), The Borgias, The Theory of Everything
- Tom Hollander – Enigma, Pirates of the Caribbean II-III, American Dad!, Jungle Book: Origins
- Jens Hultén – The Border, Skyfall, Ragnorak, Johan Falk: Lockdown
Music Composer:
- Joe Kraemer – The Thirst, Confession of A Gangster, Jack Reacher, Titans of Justice
What has become of the Mission: Impossible franchise? The first film was a proper espionage thriller with a tough mission and the odd elaborate action stunt to give credence to the film’s title. But by the second film, the espionage element had given way to entertaining, if unfeasible action stunts and the veneration of Tom Cruise’s alter ego, Ethan Hunt. And by the fourth film, the storyline had given way to even more entertaining, unfeasible action stunts and venerated Tom Cruise’s alter ego to the point of deification. So what could one expect from Mission: Impossible V – Rogue Nation (M:I-V)? Well, more of the same really!
Ethan Hunt (Tom Cruise) and William Brandt (Jeremy Renner) working together to uncover the Syndicate.
M:I-V centres round Ethan Hunt (Tom Cruise, who else?) hunting down the Syndicate, an international criminal organisation, and its leader Solomon Lane (Sean Harris). However, the Impossible Mission Force (IMF) that Ethan is part of is being closed down by CIA Director Alen Hunley (Alec Baldwin). The CIA believes that the Syndicate does not exist and that the IMF is causing embarrassment to the CIA/America due to its unorthodox methods. They want Ethan to turn himself in.
But rather than hand himself in, Ethan chooses to go rogue so as to uncover the Syndicate and to find Lane, himself. And he will start by going after Ilsa Faust (Rebecca Ferguson).
That is the vague outline of M:I-V’s plot. But, in truth, M:I-V has no plot. The film flagrantly does not care for the spy thriller ingredient that made the first film so interesting. Instead, M:I-V prefers to go from one entertaining, over-the-top action stunt to another. Indeed, it wouldn’t matter which order the action stunts occurred as the storyline and the dialogue make no sense at all; although, having the first stunt as the one where Ethan hangs off a taking-off aeroplane does set the tone for the rest of the movie. And, astonishingly, Director Christopher McQuarrie manages to maintain this tone for its entire duration. The stunts get ever more outlandish and creative to the extent that one has to question who came up with these ideas (and how) because they are ingenious.
Isla Faust (Rebecca Ferguson) on a bike and in possession of something Ethan needs. Thus, a high-speed bike chase is about to begin…
However, M:I-V does not solely consist of ingenious, if totally unrealistic action stunts. The film consists of a good amount of banter between the protagonists (more so than in previous instalments), and gives viewers the sense that a family unit is developing within the IMF now that Tom Cruise and Ving Rhames has been in all five films, Simon Pegg has been in them since the third one, and Jeremy Renner since the fourth. Each member of the team has a particular role and whether it is Cruise as Action Man come again and the mastermind who exposes the movie’s villain(s); Rhames as Ethan’s reliable sidekick Luther; Simon Pegg as Ethan’s reliable but goofy, tech-nerd Benji; or Renner as Ethan’s boss Brandt (who Ethan regularly disobeys to ever positive results), each one of them looks like they are enjoying their roles and they make some funny puns whilst they’re at it as well.
Unsurprisingly, Cruise, Rhames, Pegg and Renner all play well in M:I-V even if they do nothing spectacular. Rather, it is the newcomers that arguably make the most impressions on viewers. Rebecca Ferguson, as the ambiguous Ilsa Faust, makes the greatest impression of them all. She is beautiful, sexy and can kick arse! That she holds up against Tom Cruise (and may, heaven forbid, outshine him in his own film) speaks volumes for her talents as an actress.
Yet, the rest of the cast do not have the same impact on viewers. Sean Harris plays decently as the main villain, Solomon Lane. Harris/Lane is cold, unflinching and meant to be scary. But because he is given little screen time or background story, audiences don’t get the chance to feel much for him by the end. For similar reasons, one feels little for Alec Baldwin as the CIA director and Simon McBurney as the head of the British secret services, even if neither of them play badly with the material or time they’re given.
Solomon Lane (Sean Harris), the ice-cold, sociopathic villain at the head of the Syndicate.
It would have been intriguing to learn more about these characters as they seem, ostensibly, to have depth and more to say for themselves. But to explore them would have meant that the film-makers would have had to come up with a genuine storyline and spent less time showing us how awesome Tom Cruise is. And that would have defeated the whole purpose of M:I-V.
Over-all, M:I-V is a highly enjoyable action film. It has little place for clever espionage and has a veneer of a storyline that does not work at any level. Nevertheless, the movie glorifies Tom Cruise; has plenty of action sequences; several implausible action stunts; good chemistry and humour from the returning cast; and includes a gorgeous, strong female character that could fit seamlessly into any Marvel comic-book film. Thus, M:I-V delivers unashamedly on everything it sets out to achieve.
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