Tag Archives: orlando bloom

Review – The Hobbit III: The Battle of the Five Armies HFR 3D (12a) [2014]

The Hobbit III - title banner

Star Rating: 2/5

Director:

  • Peter Jackson – Lord of the Rings TrilogyThe Lovely BonesThe Hobbit I & IIThe Adventures of Tintin II

Additional Writer:

  • Guillermo Del Toro – Pan’s Labyrinth, Hellboy I-III, Mama, Pinnochio

Cast:

  • Martin Freeman – The OfficeThe World’s EndSherlockFargo, Captain America III
  • Ian McKellen – Lord of the Rings TrilogyX-Men I-IIIX-Men: Days of Future Past, Mr Holmes
  • Cate Blanchett – Notes On A ScandalBlue JasmineCinderella
  • Richard Armitage – Captain America: The First AvengerBlack SkyInto The Storm
  • Aiden Turner – AlarmThe Mortal Instruments: City of Bones
  • Ken Scott – CasanovaCharlie Wilson’s WarOne Day
  • Graham McTavish – Rambo24: Day 8ColumbianaCreed
  • Benedict Cumberbatch – Tinker Tailor Soldier SpyStar Trek II: Into DarknessThe Fifth Estate12 Years A Slave
  • Orlando Bloom – The Lord of the Rings I-IIIThe Kingdom of HeavenThe Good DoctorZulu
  • Lee Pace – The FallTwilight IV: Breaking Dawn: Part IILincoln, Untitled Lance Armstrong Biopic
  • Evangeline Lilly – LostThe Hurt LockerReal Steel
  • Luke Evans – Clash of the TitansImmortalsThe RavenDracula Untold
  • Stephen Fry – V For VendettaAlice In WonderlandSherlock Holmes II: A Game of Shadows, Once Upon A Time In The Kitchen
  • Ian Holm – Lord of the Rings I IIILord of WarRatatouille
  • Christopher Lee – Lord of the Rings TrilogySeason of the WitchThe Girl From Nagasaki
  • Hugo Weaving – The Matrix TrilogyLord of the Rings TrilogyCaptain America: The First AvengerTransformers I-III, Strangerland

Music Composer:

  • Howard Shore – Lord of the Rings TrilogyHugoA Dangerous MethodThe Hobbit I II, Denial

(Please read my reviews of The Hobbit I: An Unexpected Journey and The Hobbit II: The Desolation of Smaug for context, as I won’t be going over points I’ve already made, such as the problems with the High Frame Rate, negotiations with the orcs, and the alterations that Jackson has made to the trilogy from the source material.)

Peter Jackson’s The Lord of the Rings (LOTR) trilogy was one of the greatest trilogies of all time. It was beautifully put together and held phenomenal emotional weight that made viewers care about the characters in the story. The same, however, cannot be said for the first two volumes of the prequel trilogy. Nevertheless, could the final volume of the prequel trilogy, The Battle of the Five Armies, redeem The Hobbit trilogy?

Smaug the Dragon (voiced thunderously by Benedict Cumberbatch) is our of the Lonely Mountain and torching Laketown.

Smaug the Dragon (voiced thunderously by Benedict Cumberbatch) is our of the Lonely Mountain and torching Laketown.

The Hobbit III starts where The Desolation of Smaug ended: with Smaug (voiced by Benedict Cumberbatch) unleashing his fury upon Laketown. But with the dragon now out of the Lonely Mountain, there is a huge treasure of gold to be had. The greedy leader of the dwarves, Thorin Oakenshield (Richard Armitage), may not want to share it, but the people of Laketown, as well as armies of elves, orcs, and other dwarves come for their share of the treasure all the same. Thus, the battle of the five armies begins…

The Hobbit III is the shortest of The Hobbit films at 144 minutes and that is one of the movie’s saving graces. Well, that, the opening scene when the Cumberdragon burns Laketown, and the ending itself. The desolation of Laketown is done well, particularly as it’s given the right length of time, as well as the right amount of comedy, action and special effects for it to be spectacular.

Thorin (Richard Armitage) looking for the Arkenstone within a vault of gold so deep he could swim in it like Scrooge McDuck.

Thorin (Richard Armitage) looking for the Arkenstone within a vault of gold so deep he could swim in it like Scrooge McDuck.

It is a shame that the ‘epic’ titular battle, itself, is neither spectacular nor given the right amount of time. It is 45-minutes of repetitive, pleasure-seeking action, devoid of the laws of physics, emotional weight, and should have been cut in half. One does not care what happens to the dwarves or the CGI orcs as they’re all synonymous and lifeless. Plus, if Jackson had comprehended the problems of the hour-long battle in Transformers III or the 40-minute fight in Man of Steel he would not have allowed his ‘epic’ battle go on for so long because it loses its sense of timing. Without the crucial ingredient of timing, the battle becomes snooze-inducing. But then again, the dwarves have always been synonymous throughout the trilogy, the (dark-skinned, deformed) orcs have been there merely to be slaughtered, and more or less every scene in An Unexpected Journey and The Desolation of Smaug went on for too long, had no sense of timing and ignored the laws of physics. So there really was no hope Jackson learning his lessons and making The Battle of the Five Armies an emotionally fulfilling, succinct masterpiece.

Bard (Luke Evans) on a mule and the King of the Elves, Thranduil (Lee Pace), on a... reindeer? Anyway, they have arrived among an army of elves and men to claim their shares of the treasures in the Lonely Mountain.

Bard (Luke Evans) on a mule and the King of the Elves, Thranduil (Lee Pace), on a… reindeer? Anyway, they have arrived among an army of elves and men to claim their shares of the treasures in the Lonely Mountain.

And like the muddled titular battle, the rest of The Hobbit III is dispiritingly all over the place. That The Hobbit has had a troubled production history might go some way to elucidating why The Hobbit III, in particular, is so bad. (A film based on The Hobbit book was supposed to have been written shortly after the successful conclusion of the LOTR in 2003, but didn’t materialise. Guillermo Del Toro was appointed to direct The Hobbit at some point in the late-2000s, but stepped down for unspecified reasons. Jackson, subsequently, came to the rescue of the project, only for Del Toro to come back on board in some capacity. And, then, after initially deciding to make two films out of the 300-page book, Jackson decided to split the second film in two and shoot new scenes in 2012/13 to make The Hobbit into a trilogy in post-production.) But is the film’s troubled history truly a reason for why the dialogue is so clunky; for why the aftermath of Laketown goes on for too long; for why storylines (unforgivably) do no conclude; for why the central premises of the film/trilogy are (inexcusably) forgotten; and for why the eponymous character of the trilogy, Bilbo Baggins (played with charm by Martin Freeman), feels like a peripheral figure in the concluding chapter of his own story, among other things? The Hobbit III is so unsatisfying that the answers cannot boil down solely to a troubled production history, especially as Viggo Mortensen (Aragorn) claimed earlier this year that the LOTR had a chaotic production too. This entails that the film’s/trilogy’s faults lie with Jackson, who has done nothing of significance since the LOTR and has now shown that he can muck up something he loves if he is not controlled.

Azog the Defiler (Manu Bennett) roaring an army of orcs toward the Lonely Mountain to kill the dwarves and everyone else.

Azog the Defiler (Manu Bennett) roaring an army of orcs toward the Lonely Mountain to kill the dwarves and everyone else.

One might have pardoned Jackson for some of the aforementioned errors in The Hobbit III (and the trilogy as a whole) if he had added something innovative to Tolkien’s universe. It would have made for interesting viewing if he had given audiences details of the backgrounds, cultures and religions of the peoples of Middle-Earth that Tolkien, himself, failed to put into his stories, or put in a Machiavellian-style character (like Littlefinger from Game of Thrones). But no, Jackson (depressingly) doesn’t do any of this, meaning that people go away from this bloated film/trilogy knowing nothing more about the wizards, men, elves, dwarves and orcs of Middle-Earth than they did after the LOTR. Simply put: this is not good enough, Jackson.

Over-all, one can breathe a sigh of relief that The Hobbit trilogy is over. While The Battle of the Five Armies has a couple of good moments, like the opening scene and the end credits, it is a mess and suffers from the same issues as The Hobbit I & II: notably, its swollen length to accommodate the extreme self-indulgence, tedium and sameness. Whilst watching The Hobbit III, it feels like one is watching a glutton stuff his/her face, whilst the problems within The Hobbit trilogy as well as the problems surrounding the trilogy’s production illuminate before one’s eyes. Worse, The Hobbit III and the trilogy as a whole show up the problems within Tolkien’s works, including the LOTR. Peter Jackson, how could you go so wrong?

PG’s Tips

Advertisements

Review – Pirates of the Caribbean IV: On Stranger Tides 3D (12a) [2011]

Star Rating: 2.5/5

When it comes to a fourth movie in a franchise, a sceptic might wonder if it is merely an easy excuse to rake in money, ahead of taking a risk and dreaming up something innovative. Other fourth instalments, such as Die Hard 4 and Fast 4 (not to mention Fast 5), have lacked creativity in favour of the familiar themes and characters that audiences have come to love. The same can be said for Pirates of the Caribbean: On Stranger Tides. Despite director Rob Marshall’s (Memories of a Geisha, Nine, Chicago) attempts to spice up the Pirates of the Caribbean series, On Stranger Tides illustrates that it might have been better just to have ended the series after the third instalment, At World’s End.

Captain Barbossa (Geoffrey Rush), the reformed pirate, dressed admirably as a respectable Royal Navy Officer.

On Stranger Tides is based on the book by Tim Powers and centres once again on Captain Jack Sparrow (Johnny Depp – Pirates of the Caribbean I, II & III, Charlie & The Chocolate Factory, The Tourist), as the droll pirate with warped logic and a twisted moral complexion. This time around, he is out to find the Fountain of Youth. The Spanish and the English are also in a race to find this place, and only Sparrow knows the way. (Although, whether Sparrow has actually been to the Fountain of Youth is, of course, a little dubious, due to his canny nature.)

But to enter the fountain requires certain things that will not be simple to acquire. Plus, the feared and ruthless pirate, Blackbeard (Ian McShane – Kung Fu Panda, Coraline, The Golden Compass), is also hell-bent on reaching the fountain in order to preserve his life for many more years.

The plot is filled with twists and deceptions that have become a predictable feature of the series. The storyline is at times ridiculous; yet, one accepts it knowing that he/she has not gone to watch a serious or realistic film.

One of the new characters in the series, the feared pirate, Captain Blackbeard (Ian McShane).

However, the most disappointing aspect of On Stranger Tides is the script. It hampers the film and, primarily, sells the two main stars short. Whilst Johnny Depp gives another fine performance as Captain Sparrow, he lacks his trademark wittiness and oddities. Even his outrageous stunts no longer appear so outrageous anymore. Maybe we are too used to ‘witty Jack’ and expect too much from him. In fairness, it is almost impossible to light up the scene all the time with a brilliant comeback line. Nevertheless, the script for this movie is a far cry from that of Part I, The Curse of the Black Pearl, which had some fantastic lines.

Just as Depp has been let down, so too has Geoffrey Rush (Pirates of the Caribbean I, II & III, The Tailor of Panama, The King’s Speech). Rush returns as Captain Barbossa, who has now seemingly given up the life of a pirate for that of a respectable English naval officer. Barbossa’s character is a pale shadow of the one who entertained us so magnificently in the first three films. This is a real shame, as his rivalry with Sparrow in the past has made for terrific entertainment.

Captain Sparrow taking the beautiful Angelica to the Fountain of Youth via a river in the jungle.

Despite being conspicuously absent from this film, the characters played by Orlando Bloom and Keira Knightley are certainly not missed. Their performances in the series deteriorated with each movie. Alas, their replacements, Blackbeard and Angelica (Penélope Cruz – Vanilla Sky, Sahara, Nine), are hardly much better. McShane does not perform badly, even though Blackbeard’s character does not have the depth to be the ‘next Davie Jones’ (played by Bill Nighy in parts II, Dead Man’s Chest, & III in the series); whilst the sexy Cruz offers so much and delivers agonisingly little.

The special effects at least give the film a semi-redemptive feature. With the exception of one or two instances, they are pretty decent throughout the movie. Again though, they look hardly any different from scenes in the other films in the franchise, so viewers are unlikely to give producer Jerry Bruckheimer (Pirates of the Caribbean I, II & III, Black Hawk Down, National Treasure) much credit. The 3D is virtually non-existent too.

Over-all, On Stranger Tides continues the worsening trend of the Pirates of the Caribbean series, and of over-extended franchises in general. The fourth instalment appears tired and out of ideas, to the extent that not even Captain Sparrow can make us enjoy, or think much of the film. But hey, fans of the series will flock to cinemas worldwide in great numbers to see their favourite characters again, enabling those involved in the movie to make a fortune once more. And fans will probably do the same again when the fifth part comes out in a few years time.

PG’s Tips