Tag Archives: pirates

Review – Captain Phillips (12a) [2013]

Captain Phillips - title banner

Star Rating: 4/5

Director:

  • Paul Greengrass – Resurrected, Green Zone, Bourne II-III & V

Cast:

  • Tom Hanks – Philadelphia, Toy Story I-III, Saving Mr Banks
  • Catherine Keener – The 40-Year-Old Virgin, Into The Wild, Nailed
  • Barkhad Abdi – Eye In The Sky
  • Barkhad Abdirahman
  • Faysal Ahmed
  • Mahat M Ali
  • Michael Churnus – Love & Other Drugs, Men In Black III, Glass Chin
  • David Warshofsky – Public Enemies, Unstoppable, Now You See Me
  • John Megaro – The Big Short

Music Composer:

Piracy at sea is nothing new. Ships have been hijacked since the dawn of time and the problem is still rife in many parts of the world today. Paul Greengrass’ Captain Phillips shows us superbly what it can feel like when a ship gets taken over by a gang with guns.

Captain Phillips (Tom Hanks) on the look out for pirates... and worried by how quickly they're advancing toward his ship.

Captain Phillips (Tom Hanks) on the look out for pirates… and worried by how quickly they’re advancing toward his ship.

Captain Phillips is based on the true story which occurred in 2009 and the book, which came out the following year called A Captain’s Duty: Somali Pirates, NAVY seals, and Dangerous Days at Sea by Captain Richard Phillips, himself. The film is about when the Maersk Alabama, a large cargo ship, is seized by Somali pirates near the Horn of Africa, and the crew are taken hostage.

The plot for Captain Phillips is straightforward, grounded and gets to the crux within 20 of its 134 minute running time. From them on the film is tense; so tense, one’s heart pounds in sync with the background beats, and one’s arms shake almost as much. Also, as the film is long, one feels as if the situation is being drawn out in real time. This is despite no lawyers appearing in the film, and little attention given to events behind the scenes in instances of hostages at sea (unlike the very good Danish film, A Hijacking).

The pirates on their little speed boat, eager to seize Maersk Alabama and gain a reward for it back in Somalia.

The pirates on their little speed boat, eager to seize Maersk Alabama and gain a reward for it back in Somalia.

That Somali piracy is a current and serious issue enhances the horror of the situation for Captain Rich Phillips and his crew, and the close up shots (Greengrass’ trademark) enable viewers to see the fear of captain and crew at hand. Although, there is a law suit presently being waged against Captain Phillips, claiming that the movie does not portray events aboard the Maersk Alabama in the run up and during the hijacking truthfully, the film feels (for the most part) chillingly realistic. Some may argue that the realism becomes less convincing as the movie goes on; for example, neither captain nor crew complain of hunger throughout the ordeal. But in the main, Captain Phillips seems sincere, irrespective of the outcome of the lawsuit.

Captain Phillips’ genuineness is helped by the pirates looking bloody scary and behaving in a frenzied fashion. Tom Hanks is likely to gain much of the plaudits come Oscar season, and his display is absolutely brilliant as the heroic (though this point is legally being disputed) and beleaguered captain; indeed, the grimmer the situation becomes, the better Hanks performs. However, the actors playing the pirates do just as much, if not more, to make the film as thrilling (stressful) as it is, since viewers are never sure how the pirates are going to react to movement on the ship, or outside of it.

The pirates, having taken the ship and Captain Phillips hostage, telling the captain that they're in charge.

The pirates, having taken the ship and Captain Phillips hostage, telling the captain that they’re in charge.

What is quite remarkable is that the film makes us empathise with the pirates’ predicament. Barkhad Abdi, Barkhad Abdirahman, Faysal Ahmed and Mahat M Ali, the four men playing the pirates (lacking all the glamour and savvy of Johnny Depp’s Captain Jack Sparrow or Geoffrey Rush’s Captain Barbossa from Pirates of the Caribbean I-IV), show us why some Somalis turn to piracy, as well as the problems that await them should they return home without large sums of money, or at least with a great bargaining chip to acquire large amounts of money. One almost comes to pity the pirates’ plight… but for the small matter of them holding a crew (and Tom Hanks) hostage.

All-in-all, Captain Phillips is a nerve-shredding, finger-biting thriller. Granted, the film almost exclusively focusses upon events on the ship and little else. But the movie is grounded and, regardless of its factual accuracy, it feels honest in every respect. Furthermore, Captain Phillips makes viewers experience the terror of modern-day pirates seizing a vessel at sea.

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Review – Pirates of the Caribbean IV: On Stranger Tides 3D (12a) [2011]

Star Rating: 2.5/5

When it comes to a fourth movie in a franchise, a sceptic might wonder if it is merely an easy excuse to rake in money, ahead of taking a risk and dreaming up something innovative. Other fourth instalments, such as Die Hard 4 and Fast 4 (not to mention Fast 5), have lacked creativity in favour of the familiar themes and characters that audiences have come to love. The same can be said for Pirates of the Caribbean: On Stranger Tides. Despite director Rob Marshall’s (Memories of a Geisha, Nine, Chicago) attempts to spice up the Pirates of the Caribbean series, On Stranger Tides illustrates that it might have been better just to have ended the series after the third instalment, At World’s End.

Captain Barbossa (Geoffrey Rush), the reformed pirate, dressed admirably as a respectable Royal Navy Officer.

On Stranger Tides is based on the book by Tim Powers and centres once again on Captain Jack Sparrow (Johnny Depp – Pirates of the Caribbean I, II & III, Charlie & The Chocolate Factory, The Tourist), as the droll pirate with warped logic and a twisted moral complexion. This time around, he is out to find the Fountain of Youth. The Spanish and the English are also in a race to find this place, and only Sparrow knows the way. (Although, whether Sparrow has actually been to the Fountain of Youth is, of course, a little dubious, due to his canny nature.)

But to enter the fountain requires certain things that will not be simple to acquire. Plus, the feared and ruthless pirate, Blackbeard (Ian McShane – Kung Fu Panda, Coraline, The Golden Compass), is also hell-bent on reaching the fountain in order to preserve his life for many more years.

The plot is filled with twists and deceptions that have become a predictable feature of the series. The storyline is at times ridiculous; yet, one accepts it knowing that he/she has not gone to watch a serious or realistic film.

One of the new characters in the series, the feared pirate, Captain Blackbeard (Ian McShane).

However, the most disappointing aspect of On Stranger Tides is the script. It hampers the film and, primarily, sells the two main stars short. Whilst Johnny Depp gives another fine performance as Captain Sparrow, he lacks his trademark wittiness and oddities. Even his outrageous stunts no longer appear so outrageous anymore. Maybe we are too used to ‘witty Jack’ and expect too much from him. In fairness, it is almost impossible to light up the scene all the time with a brilliant comeback line. Nevertheless, the script for this movie is a far cry from that of Part I, The Curse of the Black Pearl, which had some fantastic lines.

Just as Depp has been let down, so too has Geoffrey Rush (Pirates of the Caribbean I, II & III, The Tailor of Panama, The King’s Speech). Rush returns as Captain Barbossa, who has now seemingly given up the life of a pirate for that of a respectable English naval officer. Barbossa’s character is a pale shadow of the one who entertained us so magnificently in the first three films. This is a real shame, as his rivalry with Sparrow in the past has made for terrific entertainment.

Captain Sparrow taking the beautiful Angelica to the Fountain of Youth via a river in the jungle.

Despite being conspicuously absent from this film, the characters played by Orlando Bloom and Keira Knightley are certainly not missed. Their performances in the series deteriorated with each movie. Alas, their replacements, Blackbeard and Angelica (Penélope Cruz – Vanilla Sky, Sahara, Nine), are hardly much better. McShane does not perform badly, even though Blackbeard’s character does not have the depth to be the ‘next Davie Jones’ (played by Bill Nighy in parts II, Dead Man’s Chest, & III in the series); whilst the sexy Cruz offers so much and delivers agonisingly little.

The special effects at least give the film a semi-redemptive feature. With the exception of one or two instances, they are pretty decent throughout the movie. Again though, they look hardly any different from scenes in the other films in the franchise, so viewers are unlikely to give producer Jerry Bruckheimer (Pirates of the Caribbean I, II & III, Black Hawk Down, National Treasure) much credit. The 3D is virtually non-existent too.

Over-all, On Stranger Tides continues the worsening trend of the Pirates of the Caribbean series, and of over-extended franchises in general. The fourth instalment appears tired and out of ideas, to the extent that not even Captain Sparrow can make us enjoy, or think much of the film. But hey, fans of the series will flock to cinemas worldwide in great numbers to see their favourite characters again, enabling those involved in the movie to make a fortune once more. And fans will probably do the same again when the fifth part comes out in a few years time.

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