Tag Archives: tinker

Review – Warrior (15) [2011]

Star Rating: 3.5/5

The trailer for Warrior gives the movie the air of another-The Fighter. The comparison is quite natural; both films appear, ostensibly, to be about fighters in a ring. But for many reasons Warrior cannot be equated with the excellent The Fighter.

Tess (Jennifer Morrison) with her husband, Brendan (Joel Edgerton), discussing the idea of him fighting again.

Warrior is about two estranged and very different brothers, Brendan (Joel Edgerton – Animal Kingdom, Wish You Were Here, Zero Dark Thirty) and Tommy (Tom Hardy – Bronson, Tinker Tailor Soldier Spy, This Means War), who compete in a mixed martial arts competition. Brendan is a former fighter, but now married to the pretty Tess (Jennifer Morrison – Mr. & Mrs. Smith, Star Trek, Knife Fight), and a high-school teacher by trade. He and his wife are struggling with debts, and the bank is threatening to evict them from their home. Such is their plight, Brendan hires a personal trainer, Frank (Frank Grillo – Minority Report, Mother’s Day, End of Watch), and returns to the ring to make some money.

Tommy enters the competition for different reasons. Tommy has returned home from army duty in Iraq, and needs to be cleaned up from his pill-taking, alcoholic lifestyle. Using his now-sober father, Paddy (Nick Nolte – The Thin Red Line, Hotel Rwanda, The Gangster Squad), who was a boxer in his day, as his trainer, Tommy gets in shape for the competition.

Whilst simple, Warrior’s plot is (painfully) slow. The film is 140 minutes long, and it could feel a lot longer for those who become bored with the movie’s sluggish pace. Also, the last hour becomes predictable and cliché. Some thought that The Fighter became ‘too Hollywood’ by the end. There might be some truth in that; nevertheless that movie is based on a true story, so it cannot, to an extent, be helped. This is not the case for Warrior, meaning it has no excuse for becoming cliché.

Brendan making his comeback in the ring.

Moreover, there are inconsistencies in the storyline, which become ridiculous during the fighting scenes. The background of the main characters, despite being hinted at often, is also (irritatingly) not explained. By the end of the movie, one is no closer to understanding why the brothers became estranged from each other, and their father.

Warrior’s storyline may have its flaws, but the dialogue is very well written and feels realistic. This is aided by the main actors delivering strong and convincing performances. As Brendan, Joel Edgerton does a fine and consistent job, playing a level-headed and resilient man, despite his understandable stresses. No-one would realise that Edgerton is Australian either from this performance, as his soft Pittsburgh accent remains intact throughout the film.

Similarly, no-one would know that Tom Hardy is English from Warrior. As Tommy, Hardy admirably plays a troubled, insecure and aloof individual, who gets through his days by drinking and taking drugs. Tommy may not be a kind character, but the way he walks with his head down, and the dark circles under his eyes are indicative of his internal difficulties.

It is a shame for Hardy (and Edgerton for that matter) that their characters’ backgrounds are not dealt with, because that would have, perhaps, enhanced their respective characters from two-and-a-half to three dimensions. Furthermore, for Hardy, playing a drug addict draws (unfair) parallels with Christian Bale’s Oscar-winning performance in The Fighter. In this proxy fight before they go head-to-head in The Dark Knight Rises, as Bane and Batman, respectively, it is the latter who comes out on top. This is because Hardy has a less-challenging role as the lazy, slurring stoner, whilst Bale played the demanding crazy, brimming-with-energy crack addict.

The leading actors give worthwhile performances in Warrior, and the same can be said for the supporting cast, particularly Nick Nolte and Jennifer Morrison, even if they vary slightly in quality. Nolte, playing a reforming alcoholic who has found Jesus, plays very well when on screen. When he shows emotion, one does genuinely empathise with Paddy’s predicament (even if he has brought most of his problems upon himself). Surprisingly, one does not feel similarly vis-à-vis Morrison’s character, Tess. This is partly because Tess has not been given much personality, and because Morrison doesn’t make one feel the desperate nature of Tess’s situation.

The younger brother, Tommy (Tom Hardy), at the tournament. His muscular frame suggests that he’s ready to take on anyone.

Lastly, director Gavin O’Connor (Tumbleweeds, Miracle, Pride & Glory) has put Warrior together quite well. The scenes flow smoothly one after the other, but the choice of music is perplexing. For much of the first half of the film, there is little music (which is fine); yet, the second half is filled with a bizarre mix of standard boxing music and a Beethoven symphony. Beethoven and martial arts are a curious mix.

All-in-all, Warrior is an agonisingly slow film and pitiably cliché. It has acting of great quality, but by not elucidating upon the characters properly O’Connor misses the chance for his movie to be potentially nominated for awards. The Fighter had no such deficiencies. One nil to Batman.

PG’s Tips

Advertisements

Review – Tinker Tailor Soldier Spy (15) [2011]

Star Rating: 4/5

The Bourne series, 24 and Munich, in their different ways, show audiences that the world of the secret services is a murky one, where mistrust and paranoia are rife. Tinker Tailor Soldier Spy (TTSS) may not be a standard catch-and-shoot the bad guy thriller. Nevertheless, with a star-studded cast, TTSS is an excellent, if puzzling, portrayal of the nature of the top echelons of the secret services.

George Smiley (Gary Oldman), adopting his standard pose, explains a few things to his assistant, Peter Guillam, in one of the secret places where they do their work.

TTSS is based on the novel by John Le Carré, who worked for the best part of 20 years in MI5 and MI6; the movie is also a shortened remake of the 1979 TV series. TTSS is set in early-1970s Britain, during the Cold War. There is a mole in the ‘Circus’, the MI6 internal nickname for the highest levels of the British intelligence services. Someone is giving classified information to a Soviet agent called Polyakov (Konstantin Khabenskiy – Wanted). But who is it?

Control (John Hurt – V For Vendetta, Harry Potter VII(i) & VII(ii), Immortals) brings back his former colleague, George Smiley (Gary Oldman – Air Force One, Harry Potter III-V & VII(ii), The Dark Knight Rises), from retirement in order to discover who is behind the leak. But Smiley and his personal assistant, Peter Guillam (Benedict Cumberbatch – Atonemment, Star Trek II, The Hobbit II), must do their work in secret. This is to make sure that the other members of the ‘Circus’ – Percy Alleline (Toby Jones – Frost/Nixon, Captain America: The First Avenger, Snow White and the Huntsman), Bill Hayden (Colin Firth – The Importance of Being Earnest, The King’s Speech, Before I Go To Sleep), Roy Bland (Ciarán Hinds – Munich, Harry Potter VII(ii), The Debt) and Toby Esterhase (David Denick – War Horse, The Girl with the Dragon Tattoo) – don’t find out what they’re up to. Any one of them could be the traitor.

The plot for TTSS may sound straight forward, but it is not. Rather, it is slow and very confusing. The movie is also hard to follow because it does not follow a linear timeframe. Viewers are rarely certain if they’re watching the past or the present. Moreover, the director, Tomas Alfredson (Let The Right One In), does not give the complete context of the story; for example, there is no hint of the five Cambridge pro-Soviet traitors that riddles the book.

Peter Guillam (Benedict Cumberbatch) looking through files to find information on the mole.

This is not to say that Alfredson has made a bad film. On the contrary, the slowness of TTSS is, arguably, a reflection of the world of espionage, which Le Carré, who assisted in the movie’s production, understands so well. Seen in this light, even the many seemingly pointless short, silent scenes of Smiley going into a room or a house on his own have a purpose, since they give TTSS a greater feel for the workings of MI6.

In addition, the brilliant acting throughout the movie aids our understanding of the type of people that tend to be at the top echelons of the secret services. A lecturer of mine at university told me that Hilter’s military intelligence chief (and double-agent), Wilhelm Canaris, upheld a persona to make it seem to others that he was not on the ball. In a similar vein, all the men in the ‘Circus’ in TTSS have their manufactured character guises. No-one in the film has this more than Smiley. In the lead role, the ever-sound Gary Oldman plays Smiley exceptionally well. Whilst no James Bond, Oldman never loses his concentration as Smiley; he always remains head-down, calm and monotonous, yet perspicacious, even when there is emotion stirring within him. It is a shame for Oldman that many subtleties of Smiley’s character, from the book and the TV series, have been taken out by Alfredson.

All of the supporting cast suffer from the same problems. Everyone plays very well, but since the film is only 127 minutes (and may seem longer to those not enjoying it), there is not enough time for all of the nine main characters, including Jim Prideaux (Mark Strong – Kick-Ass, The Eagle, Zero Dark Thirty) and Ricki Tarr (Tom Hardy – Layer Cake, Inception, Warrior), to have real depth. To the cast’s credit, none of them appear shallow on screen, and some of them are given the time to express themselves to a degree.

Ricki Tarr (Tom Hardy) as the active secret agent on the streets to help find people who may be connected to the mole.

The impressive acting is matched by the settings throughout TTSS. From the clothes; to the hairstyles; to the cars; to the fax machines (and lack of mobile phones); to the smoking, everything has the appearance of the late-1960s/early-1970s. Remarkably, nothing is out of place.

The music used throughout the film is, perhaps, the exception to this. While the music is not of its era, its strangeness, more often than not, enhances the confounding plot and the tension in some of the scenes.

TTSS is not a conventional spy/secret-agent thriller. The film moves at a measured pace and is very confusing to the extent that one may go home without having completely understood the movie. One may even need to be a fan of this niche genre to truly appreciate it. Yet, with fantastic acting – particularly from Gary Oldman – TTSS depicts its era and the underhandedness of the inner workings of the top levels of the secret services down to a tee.

PG’s Tips