Tag Archives: Marvel

Review – Captain America III: Civil War (12a) [2016]

Captain America 3 - title banner

Star Rating: 3.5/5

Directors:

  • Anthony Russo – LuckyYou, Me & DupreeCommunityCaptain America II, The Avengers III: Infinity War: Part I
  • Joe Russo – Welcome To CollinwoodArrested DevelopmentYou, Me & Dupree, Captain America II, The Avengers III: Infinity War: Part I

Cast:

Music Composer:

Six weeks ago, Batman v Superman (BvS) finally arrived in cinemas. It was essentially about 100 minutes of a jumbled nothingness in order to get two superheroes to take opposing sides and smash each other black and blue. It was a tremendously disappointing film. So upon entering Captain America III: Civil War, with the prospect of a dozen superheroes taking sides and smashing each other up, was one right to be apprehensive? Hell no!

Tony Stark (Robert Downey Jr) and Steve Rogers (Chris Evans) have a sensible discussion about the pros and cons of signing up the Sokovia Accords.

Tony Stark (Robert Downey Jr) and Steve Rogers (Chris Evans) have a sensible discussion about the pros and cons of signing up the Sokovia Accords.

Put simply, Captain America III begins shortly after the events in Sokovia (the final battle in The Avengers II: Age of Ultron). The world is furious with the Avengers due to the amount of death and destruction they caused. As a result, the UN have issued the Sokovia Accords and want to ratify them, to ensure that the Avengers will be unable to act without UN approval in future conflicts. Tony Stark/Iron Man (Robert Downey Jr) agrees with the need for the accords and general oversight since he feels guilty for the carnage the Avengers caused; particularly as he created Ultron.

However, Steve Rogers/Captain America (Chris Evans) disagrees. He believes in his own judgement and claims to know when it is best for the Avengers to act, not the UN. This splits within the Avengers down the middle as some take Stark’s side while others take Rodger’s side. Complicating matters further is the return of Roger’s friend, Bucky, aka the Winter Soldier (Sebastian Stan). Stark believes he is a great danger, but Rogers does not. And so the civil war begins.

Captain America III is a lot of fun. It is 147-minutes of continuous smash ups involving our favourite Avengers characters (minus Thor and the Hulk), with some aspects of a storyline (or three) in between all the fighting. Unsurprisingly, the plot makes little sense. But to give directors Anthony and Joe Russo credit, the plot for Captain America III makes considerably more sense than BvS (despite having three times as many characters). In addition, the tone is consistent and enjoyable due to its carefree comic nature, in stark contrast to BvS’s imbalance of ultra-seriousness and unrealistic, over-the-top fight sequences.

Captain America (centre) and his side of the civil war, consisting of Bucky (Sebastian Stan), Scarlet Witch (Elizabeth Olsen), Hawkeye (Jeremy Renner), Anti-Man (Paul Rudd) and Falcon (Anthony Mackie).

Captain America (centre) and his side of the civil war, consisting of Bucky (Sebastian Stan), Scarlet Witch (Elizabeth Olsen), Hawkeye (Jeremy Renner), Anti-Man (Paul Rudd) and Falcon (Anthony Mackie).

Another element of Captain America III that the directors get right is the lack of background for all the characters upon their introductions, including the new Peter Parker/Spiderman (Tom Holland). That is not to say that the introductions aren’t done well. On the contrary, they are apt and very amusing too, but more in a welcome back way (with the exception of Spiderman) rather than in the form of long-winded origins stories. (Take note Zack Snyder: when something has been done well already, i.e. Bruce Wayne’s/Batman’s background in 2005’s Batman Begins; or has been overdone badly, i.e. how Peter Parker got his Spidy-powers in 2002’s Spiderman and 2012’s The Amazing Spiderman, there is no need to put in the same tale again that cinema-goers are tired of, and especially not in slow-motion.)

Captain America III gets a lot right. Nevertheless, it is too long and the constant bashing that the superheroes do to each other does become repetitive. One can have a snooze in the movie, wake up and still be watching the same fight scene or a different one. It really makes no difference. Nothing of lasting consequence ever happens.

Team Iron Man, consisting of Black Panther (Chadwick Boseman), Iron Man (Robert Downey Jr), Vision (Paul Bettany), Black Widow (Scarlett Johansson) and War Machine (Don Cheadle). Spiderman (Tom Holland) is also on Team Iron Man, but he is not in the picture.

Team Iron Man, consisting of Black Panther (Chadwick Boseman), Iron Man (Robert Downey Jr), Vision (Paul Bettany), Black Widow (Scarlett Johansson) and War Machine (Don Cheadle). Spiderman (Tom Holland) is also on Team Iron Man, but he is not in the picture.

Also, like in Captain America II, Civil War’s storylines run out of puff long before the film’s climactic battle(s). Viewers can be forgiven for forgetting (or even for failing to understand) why Captain America and Iron Man are fighting one another by the end. Then again, one could say that about pretty much all the Marvel comic-book films really. And, strangely enough, that is the point: it doesn’t matter. That is why viewers like Marvel comic-book films and why the studios keep churning out more of them.

Over-all, Captain America III: Civil War is an entertaining, light-hearted film. It is funny and action-packed. Yes, those who have seen other Avengers-related films have probably seen it all before, but who cares? Audiences go into comic-book films, like Captain America III, wanting to enjoy themselves, to watch an ensemble of superheroes beat each other up, and to laugh. The movie delivers, which is more than what can be said for another film about an ensemble of superheroes that fought one another recently.

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Review – Iron Man III (12a) [2013]

Iron Man 3 - title banner

Star Rating 2.5/5

Director:

  • Shane Black – Lethal Weapon I-IV, Kiss Kiss Bang Bang, Doc Savage

Cast:

Music Composer:

  • Brian Tyler – Battle: Los Angeles, The Expendables I & II, Now You See Me

In The Avengers Assemble, Tony Stark (Robert Downey Jr.) showed his true colours by stating that he is a “genius, billionaire, playboy, philanthropist.” Indeed, one who has read the Marvel comic-books, or seen Iron Man I & II and The Avengers Assemble, or all of them, knows that Stark thinks highly of himself. But from the trailer of Iron Man III, it appeared that one would see the vulnerable side of Tony Stark for a change. Is this the case?

Tony Stark (Robert Downey Jr.) up at night, working on his numerous projects which he occupies himself with, since he cannot sleep.

Tony Stark (Robert Downey Jr.) up at night, working on his numerous projects which he occupies himself with, since he cannot sleep.

Iron Man III begins with a flashback to New Year’s Eve 1999/2000 when Tony Stark, with scientists Maya (Rebecca Hall) and Aldrich Killian (Guy Pearce), rejects an offer to invest in Extremis, an organisation that deals with experimental treatment to regenerate human limbs that have been severed.

Thirteen/fourteen years later, Stark is having nightmares about the alien invasion that occurred the previous year in The Avengers Assemble. He is suffering from insomnia and anxiety, whilst trying to love Pepper Potts (Gwyneth Paltrow). Yet, the Mandarin (Ben Kingsley) is wreaking havoc upon America with a string of terrorist attacks, using advanced weapons. Soon, he destroys Stark’s house, many of his Iron Man suits, and effectively sends Stark into the wilderness. Stark must find a way back and stop the Mandarin from unleashing more chaos, or else America will fall.

Iron Man III revolves round Tony Stark, and his quick, funny/brash responses. On the periphery, there is a plot (of some sort), some Transformers-style action scenes, plenty of explosions and fire-power, as well as sophisticated special effects in abundance. The problem is that audiences have seen all of these already, and it is starting to get very tedious.

At 133-minutes, Iron Man III is a long film that disappointingly doesn’t add anything new to the series. Worse, after 30 minutes the plausibility of the storyline ceases to exist, and it lazily goes from one plot contrivance to the next. If that doesn’t illustrate Shane Black’s contempt for the audience, the last scene renders all but the first 30 minutes of the movie as a waste of time. Couldn’t Black have just cut out all of the excess baggage and got straight to the chase? (Or, alternatively, forged a plot that actually works?)

The Mandarin (Ben Kingsley), looking and preaching much like Osama Bin Laden, in a broadcast threatening to destory America if the country does not change its ways.

The Mandarin (Ben Kingsley), looking and preaching much like Osama Bin Laden, in a broadcast threatening to destory America if the country does not change its ways.

Iron Man III also suggests that the franchise is starting to suffer from the issues that are synonymous with other series, like Pirates of the Caribbean, Die Hard, and Fast and the Furious: notably, going on too long, laziness, repetitiveness, and going back in time to make (semi-)viable storylines. The very fact that Iron Man III starts by going back in time should set alarm bells ringing in one’s mind. If the franchise has not bothered until now to mention important things that the key character has done, why should viewers believe that they are significant?

With the exceptions of young Ty Simpkins, who is cute and amusing, and Ben Kingsley, who is brilliant as the terrifying (Osama Bin Laden-like) Mandarin, the rest of the cast could not be more two-dimensional if they tried. Robert Downey Jr. plays the same energetic, narcissistic character (himself) as he did in Iron Man I & II (not to mention in The Avengers Assemble, Sherlock Holmes I & II, and Due Date). Yes, Stark is smart, sharp and impertinent, and Downey Jr. does this well (as we know he can). But, in Iron Man III, Downey Jr. was meant to display his character suffering from insomnia and panic attacks. One is hard-pressed to find an instance of Stark genuinely looking like he was suffering from such problems, which is poor on Downey Jr.’s behalf. It is a shame, too, because one might have seen Downey Jr. actually challenging himself for a change.

Gwyneth Paltrow, playing as Stark’s secretary, is little more than a one-dimensional, pointless blonde doll. Despite loving a man who loves himself more than he loves her (or anyone else for that matter), it is difficult to empathise with Pepper as she is so bland.

Stark in a broken Iron Man suit and in the winter wilderness of Tennessee. How will he ever get back if he is to save the country he has sworn to protect?

Stark in a broken Iron Man suit and in the winter wilderness of Tennessee. How will he ever get back if he is to save the country he has sworn to protect?

Rebecca Hall’s performance suffers from similar problems as Maya’s character is not especially interesting, nor well defined, and her importance to the plot is dubious at best. Don Cheadle plays decently enough in his simple role as Stark’s (patient) understudy. Guy Pearce once again plays another egotistical, two-dimensional individual (he’s making a habit of this following his roles in The Count of Monte Cristo, The King’s Speech and Justice). At least, though, the cosmetic department did a fantastic job on him. In the first scene, Pearce is unrecognisable, which is a great contrast to Stark failing to even have bags under his eyes when (supposedly) suffering from major sleep deprivation. Would it have been so hard to have put eye shadow under Downey Jr.’s eyes?

Over-all, Iron Man III is much the same as the previous two Iron Man films. It follows Tony Stark being Tony Stark; Stark flies and fights in his Iron Man costume; and there are special effects galore that one’s seen before. The movie tries to show us some of Stark’s weaknesses, but fails miserably at this and the attempts at doing so are feeble. Moreover, the laziness of the entire production suggests that the franchise is drained of ideas and lost for care.

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Review – Captain America: The First Avenger 3D (12a) [2011]

Star Rating: 2/5

Since when did a man wearing a bright, tight costume become a symbol of heroism in war? Only in the world of comic-books could this be possible. Indeed, whilst watching Captain America: The First Avenger (a prequel to The Avengers Assemble, due out next spring), one has to remind oneself where this (Marvel) superhero comes from to remotely appreciate the film.

Steven Rogers (Chris Evans) suddenly all toned after coming out of the machine that turns him into a superhero.

Captain America is set in the early-1940s, during World War II. Steven Rogers (Chris Evans – Fantastic Four I & II, Scott Pilgrim vs. The World, The Avengers Assemble) is a small, scrawny young man from Brooklyn, who is desperate to join the American army. Except, he keeps getting rejected. It is only when Dr. Erskine (Stanley Tucci – The Devil Wears Prada, Burlesque, The Lovely Bones), a German-American doctor/scientist, wants to conduct an experiment on him that Steven is given the chance to enter the war.

Dr. Erskine wants to turn Steven into a super-strong human weapon, capable of defeating Johann Schmidt/Red Face (Hugo Weaving – Transformers IIII, The Wolfman, The Hobbit I), Erskine’s other experiment that went awry. Schmidt is a Nazi, and one of Hitler’s main henchmen. Schmidt, however, has his own intentions, such as destroying the world by using the almighty power in the Tesseract, a translucent cube, of King Odin of Asgard, Thor’s father. Only the enhanced Steven – Captain America – armed with a shield bearing the stars and stripes, can stop Schmidt from implementing his plan.

Captain America’s nemesis, Red Face (Hugo Weaving). If he’s a Nazi, where’s the swastika insignia on his arm?

The storyline can be followed easily and runs at a fairly decent pace. But at two hours, the movie could have done with being a bit shorter. Undoubtedly, one has to take the plot with a pinch of salt. When one watches Captain America take on whole armies in military fortresses, cheesy images of Chuck Norris and Arnold Schwarzenegger with double-barrelled machine-guns (and seemingly limitless ammunition) spring to mind. This never bodes too well for a modern-day action movie, and Captain America is not immune from this either.

If the late-1980s/early-1990s action scenes don’t make one laugh, then the piteous acting and dialogue certainly will. The eponymous characters in Iron Man I & II and Thor (the other prequels to the upcoming The Avengers Assemble) may have lacked the depth of the main characters in X-Men: First Class, not to mention those in Christopher Nolan’s Batman series, but at least Iron Man and Thor had arrogance, swagger and humour. None of the characters in Joe Johnson’s (Jumanji, Jurassic Park III, The Wolfman) Captain America have any real substance. They take themselves daftly seriously, with perhaps the exception of Tommy Lee Jones (The Fugitive, Men In Black I-III, Lincoln), playing Colonel Chester Philips. Apart from him, the cast (including the usually sound Hugo Weaving) come across as wooden and shallow. They also say some embarrassingly cliché lines (even for a comic-book movie!) that do them no favours.

Captain America all dressed and ready for battle.

The music is little better than the acting. The same can be said for the special effects and the 3D. That does not mean that the special effects are disastrously poor; they are just not of the exceptional quality as those in Transformers III. The 3D, however, is virtually unnoticeable.

Captain America is unquestionably simplistic and appeals almost exclusively to Marvel comic-book fans. It distinctly lacks all the appeals and complexities of Nolan’s Batman series or Matthew Vaughn’s X-Men: First Class. Then again, with a propaganda-inclined title, what else should one expect?

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Review – Thor 3D (12a) [2011]

Star Rating 3.5/5

Another superhero movie? Haven’t we seen it all before? In fairness, one probably has seen a great deal of what Thor has to offer; especially if one is interested in this genre. Nevertheless, despite being a predominantly male-orientated film, Thor is an enjoyable movie with some awesome special effects.

Thor, left, standing behind his father, King Odin, and alongside his brother, Loki as they approach their enemies..

Thor is about (surprise, surprise) a young man called Thor (Chris Hemsworth – Star Trek, Red Dawn, The Avengers Assemble). He is a ferocious, unnaturally powerful warrior and heir to the throne of Asgard. Yet, Thor is arrogant and cruel. After disobeying his father, King Odin (Anthony Hopkins – Hannibal series, Mission Impossible II, Fracture), he is stripped of his powers and his hammer (the source of his powers); and banished from Asgard.

He wakes up to find himself in the desert of New Mexico, America, to be surrounded by a scientist called Jane (Natalie Portman – Black SwanStar Wars IIII, Lawless), plus her assistants Darcy (Kat Dennings – The 40 Year Old Virgin, The House Bunny, Lives of the Saints) and Erik (Stellan Skarsgard – Pirates of the Caribbean II & III, Angels and Demons, The Avengers Assemble). Thor is determined to do whatever it takes to regain his god-like powers and return to Asgard. Meanwhile in Asgard, in Thor’s absence, a traitor increases his influence over the ailing Odin and his court. This will set Asgard to war, again, against the frost-people of Jotenheim.

Despite being about fictional realms, the plot for Thor is easy to follow. The director, Kenneth Branagh (Henry V, Frankenstein, Valkyrie), has structured the film well so that each scene flows nicely after the other and the pace of the film is just right. As a result, Thor is a very entertaining movie. Undoubtedly, the action scenes in the film are the highlight as they are superb and will leave viewers wanting more.

The movie may lack the goriness of Watchmen (not to mention the political connotations of that film); yet, Thor makes up for it in special effects. Regardless of whether they are accompanying the action scenes or are merely backgrounds for the fictional sceneries of the different worlds, the special effects throughout are fantastic. In some ways, they are so good they almost rival those in Avatar. It is a shame that Asgard is explored less than Pandora because some of the sceneries in Thor have the same ‘wow’ factor; particularly during the credits at the end. The 3D assists and makes the effects a little more spell-binding; however, on the whole, Thor is another example of a 2D film that has been converted, post-production, into 3D.

Thor promising Jane that he will return to Earth to see her.

Unlike the action scenes and the special effects, the acting in Thor is quite average. Chris Hemsworth performs adequately as the main character. But, as Thor, he is not given the depth of personality to make himself stand out in the same way as Christian Bale does as Batman. This results in him coming across as quite immature and superficial.

It is a shame that less attention is given to Thor’s younger brother, Loki (Tom Hiddleston – Conspiracy, Midnight In Paris, The Avengers Assemble), as it could have made for interesting viewing. But, alas, we are deprived of this. Instead, we have the standard ‘lesser’ brother who wants to emulate his older, more decorated sibling. The other characters, for better or worse, are not given much time on screen. Again, they all have little by way of depth and do not add much to the film. (Yes, even the gorgeous Natalie Portman.)

Ultimately, Thor may initially have the feel of ‘yet-another-superhero-movie.’ It may not have the violence of Watchmen or the deep characters of Christopher Nolan’s Batman trilogy, or the political nuances of those films. Nevertheless, Thor is a fun film with plenty of action and some awe-inspiring sci-fi-style special effects.

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