Star Rating: 4.5/5
- Ridley Scott – Alien, American Gangster, Robin Hood, Prometheus, Exodus: Gods And King, Alien: Covenant
- Matt Damon – The Departed, True Grit, The Adjustment Bureau, Contagion, Elysium, Interstellar, Bourne I-III & V
- Jessica Chastain – Jolene, The Debt, Take Shelter, Coriolanus, The Help, Zero Dark Thirty, Mama, Interstellar, The Huntsman
- Jeff Daniels – Dumb And Dumber I-II, The Hours, Looper, Steve Jobs
- Kate Mara – 127 Hours, Ironclad, House of Cards, Transcendence, The Heyday of Insensitive Bastards
- Chiwetel Ejiofor – Love, Actually, Inside Man, American Gangster, 12 Years A Slave, Secret In Their Eyes
- Michael Peña – Babel, The Lincoln Lawyer, End Of Watch, Fury, War On Everyone
- Sean Bean – Goldeneye, The Lords of the Rings I-III, Troy, Game of Thrones, The Young Messiah
- Kristen Wiig – Paul, Bridesmaids, Despicable Me I & II, Her, The Heyday of Insensitive Bastards
- Sebastian Stan – The Covenant, Black Swan, The Apparition, Captain America I, II & III
- Harry Gregson-Williams – Shrek I-IV, Kingdom of Heaven, Unstoppable, Blackhat, Life Briefly
On this blog, much has been made of the paucity of Ridley Scott’s films over the last fifteen years. For a director who once made Alien, Blade Runner and Gladiator, it is astonishing that Scott has made terrible film after terrible film since Gladiator was released in 2000. So going into The Martian, what was one to expect? Another terrible film to add to Scott’s bloated collection? Actually, nothing of the sort: a pleasant surprise.
The Martian is based on Andrew Weir’s 2011 novel with the same title. Mark Watney (Matt Damon) is exploring Mars with a NASA team, led by Melissa Lewis (Jessica Chastain). The team are out on the Red Planet when a freak storm occurs, knocking Mark away. Believing that he is dead, and fearing that the storm will destroy the team’s means of getting home, Melissa orders an evacuation.
However, Mark is not dead and wakes up to find that the team have left Mars without him. Considering that the next NASA flight mission to Mars is not for another four years, Mark knows he’s going to be stuck on his own on Mars for a while. Yet, he only has enough food for a few months. So how will he survive?
At its core, The Martian has a simple premise: how Mark, all on his own, is going to keep himself alive. One might ask oneself how interesting such a plot could be. Yet, surprisingly, The Martian is an entertaining, innovative and engaging movie. Undoubtedly, it is Ridley Scott’s finest film since Gladiator! (Then again, with Kingdom of Heaven, Prometheus, The Counsellor and Exodus among his recent films, that is not saying much at all.)
Part of the reason why The Martian is so good is because the desert scenery of Mars (or, rather, of Jordan, where the movie was filmed) is beautifully shot. Seeing the landscape of this foreign planet is as wondrous as any awe-inspiring place on Earth, as evidenced in The Way Back, True Grit, Sanctum and Macbeth, to name but four. Moreover, The Martian is an extremely interesting film. Our main character, Mark, is a (genius) botanist, and it is fascinating watching him carry out scientific experiments using natural elements in order to survive.
But while the scenery is wondrous and the experiments are ingenious, The Martian would not have been half as engrossing without really good acting. Matt Damon has such a magnificent screen presence that he, alone (quite literally), can hold audiences’ attentions. Sean Bean is good as the honourable (Ned Stark-like) man, as is Chiwetel Ejiofor. Jeff Daniel’s is also decent as the NASA director, with the (legitimate) counter-arguments to Bean’s and Ejiofor’s suggestions. And, lastly, the crew (headed by Jessica Chastain) play decently enough with the little time that they’re given on screen.
Assisting the cast, however, is a really good script, which ensures that The Martian surpasses recent, phenomenal space films such as Gravity and Interstellar. This is because the former was let down by a B-movie script, while the latter suffered from an incoherent storyline. The Martian, by contrast, has all the best elements of those movies, plus humour. The humour, in itself, warrants that viewers empathise with the characters and (cleverly) enables audiences to ignore the scientific technicalities if they don’t understand them.
Scott gets a lot right with The Martian. Nevertheless, that is not to say that the movie is not without its faults. First, the storm at the beginning of the film is massively contrived to get the plot moving. And, second, the movie is predictable and the ending is an utter cliché. Yet, if these are the main flaws of the film, they are quite trivial, thereby emphasising just how well Scott has done with this movie.
All-in-all, The Martian is a very entertaining film. It has no significant faults, it is innovative and it is funny. To think that the movie is predominantly about a man stuck on Mars on his own, trying to survive against the elements, underlines how impressive The Martian is. It also highlights that Ridley Scott still can direct excellent movies, despite his atrocious recent record. Let’s hope that The Martian can inspire Scott to cease making films of the poverty of Prometheus and Exodus, so that he can return to making films of the brilliance of Alien, Blade Runner and Gladiator.