Tag Archives: interstellar

Review – The Martian (12a) [2015]

The Martian - title banner3

Star Rating: 4.5/5

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Cast:

Music Composer:

  • Harry Gregson-Williams – Shrek I-IV, Kingdom of Heaven, Unstoppable, Blackhat, Life Briefly

On this blog, much has been made of the paucity of Ridley Scott’s films over the last fifteen years. For a director who once made Alien, Blade Runner and Gladiator, it is astonishing that Scott has made terrible film after terrible film since Gladiator was released in 2000. So going into The Martian, what was one to expect? Another terrible film to add to Scott’s bloated collection? Actually, nothing of the sort: a pleasant surprise.

Mark Watney (Matt Damon) with the NASA crew, led by Melissa Lewis (Jessica Chastain, sitting down), before they go out to explore.

Mark Watney (Matt Damon) with the NASA crew, led by Melissa Lewis (Jessica Chastain, sitting down), before they go out to explore.

The Martian is based on Andrew Weir’s 2011 novel with the same title. Mark Watney (Matt Damon) is exploring Mars with a NASA team, led by Melissa Lewis (Jessica Chastain). The team are out on the Red Planet when a freak storm occurs, knocking Mark away. Believing that he is dead, and fearing that the storm will destroy the team’s means of getting home, Melissa orders an evacuation.

However, Mark is not dead and wakes up to find that the team have left Mars without him. Considering that the next NASA flight mission to Mars is not for another four years, Mark knows he’s going to be stuck on his own on Mars for a while. Yet, he only has enough food for a few months. So how will he survive?

At its core, The Martian has a simple premise: how Mark, all on his own, is going to keep himself alive. One might ask oneself how interesting such a plot could be. Yet, surprisingly, The Martian is an entertaining, innovative and engaging movie. Undoubtedly, it is Ridley Scott’s finest film since Gladiator! (Then again, with Kingdom of Heaven, Prometheus, The Counsellor and Exodus among his recent films, that is not saying much at all.)

The sudden (contrived) storm that knocks Mark away.

The sudden (contrived) storm that knocks Mark away.

Part of the reason why The Martian is so good is because the desert scenery of Mars (or, rather, of Jordan, where the movie was filmed) is beautifully shot. Seeing the landscape of this foreign planet is as wondrous as any awe-inspiring place on Earth, as evidenced in The Way Back, True Grit, Sanctum and Macbeth, to name but four. Moreover, The Martian is an extremely interesting film. Our main character, Mark, is a (genius) botanist, and it is fascinating watching him carry out scientific experiments using natural elements in order to survive.

But while the scenery is wondrous and the experiments are ingenious, The Martian would not have been half as engrossing without really good acting. Matt Damon has such a magnificent screen presence that he, alone (quite literally), can hold audiences’ attentions. Sean Bean is good as the honourable (Ned Stark-like) man, as is Chiwetel Ejiofor. Jeff Daniel’s is also decent as the NASA director, with the (legitimate) counter-arguments to Bean’s and Ejiofor’s suggestions. And, lastly, the crew (headed by Jessica Chastain) play decently enough with the little time that they’re given on screen.

Assisting the cast, however, is a really good script, which ensures that The Martian surpasses recent, phenomenal space films such as Gravity and Interstellar. This is because the former was let down by a B-movie script, while the latter suffered from an incoherent storyline. The Martian, by contrast, has all the best elements of those movies, plus humour. The humour, in itself, warrants that viewers empathise with the characters and (cleverly) enables audiences to ignore the scientific technicalities if they don’t understand them.

Upon waking up and returning to the base, Mark sits alone and wonders what he is to do. Not least, what will he do about food as his supplies are low?

Upon waking up and returning to the base, Mark sits alone and wonders what he is to do. Not least, what will he do about food as his supplies are low?

Scott gets a lot right with The Martian. Nevertheless, that is not to say that the movie is not without its faults. First, the storm at the beginning of the film is massively contrived to get the plot moving. And, second, the movie is predictable and the ending is an utter cliché. Yet, if these are the main flaws of the film, they are quite trivial, thereby emphasising just how well Scott has done with this movie.

All-in-all, The Martian is a very entertaining film. It has no significant faults, it is innovative and it is funny. To think that the movie is predominantly about a man stuck on Mars on his own, trying to survive against the elements, underlines how impressive The Martian is. It also highlights that Ridley Scott still can direct excellent movies, despite his atrocious recent record. Let’s hope that The Martian can inspire Scott to cease making films of the poverty of Prometheus and Exodus, so that he can return to making films of the brilliance of Alien, Blade Runner and Gladiator.

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Review – Interstellar (12a) [2014]

Interstellar - title banner

Star Rating: 3.5/5

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Music Composer:

There are some directors whose movies are simply a cut above the rest. Steven Spielberg, David Fincher, Alfonso Cuarón and Martin Scorsese do not necessarily make films often, but when they do their films are invariably of the highest quality. Christopher Nolan rightly has a place among these filmmaking giants and his latest movie, Interstellar, confirms this despite the film’s problems.

Professor Brand (Michael Caine) explaining the mission and its purpose to Cooper (Matthew McConaughey)

Professor Brand (Michael Caine) explaining the mission and its purpose to Cooper (Matthew McConaughey)

Interstellar is set in the not-too-distant future. The Earth will soon be unable to sustain life due to crop failures. Mankind needs to find a new planet in order to survive. With the situation desperate, Cooper (Matthew McConaughey) leads a team of astronauts into space so as to find another planet that can sustain habitable life.

Interstellar is an ambitious, innovative and stimulating movie. Like The Dark Knight Trilogy, The Prestige and Inception, Interstellar is a film full of ideas such as Murphy’s Law, gravity, love, and how time bends in space to name but four. These ideas keep viewers fully occupied throughout the film’s 167-minute running time. As in the above-mentioned films, Nolan again illustrates his intelligence by writing an ingenious script that holds much realism and does not fall into the generic (and dull) intergalactic ray-gun war between men and monsters. Nolan must be applauded for it and for not patronising his audience (harrumph Michael Bay).

Cooper saying goodbye to his little daughter, Murphy (Mackenzie Foy) before he goes on the mission.

Cooper saying goodbye to his little daughter, Murphy (Mackenzie Foy) before he goes on the mission.

Granted, most viewers probably will not completely comprehend Interstellar’s dialogue as one may need to be a quantum physics professor and an astrophysics nerd for that. If viewers are neither of those and find the dialogue difficult to grasp, they can still easily enjoy the film simply by sitting back and admiring the awesome sceneries, the breath-taking special effects, and the phenomenal music. The CGI and the music, in particular, make audiences feel like they’re on a wonderful rollercoaster ride through space, and the length of the film enhances this riveting sensation.

However, not even this terrific sensation can override or conceal the gaping holes in Interstellar’s storyline (as a train could fit through them). These holes stem from moments of tension that are there solely for the sake of tension (and filler) rather than advancement of the storyline; and from the ending being too rushed and contrived for the movie to make sense. With most directors, viewers would generally accept these plot holes as par for the course. But with Nolan, viewers expect better. Scenes of tension in his previous films have had consequence(s) upon the storylines, and he has given us some of the most original, thought-provoking and satisfying endings in movie history. To see his film suffer from similar problems as those of (cheesy) action films and (second-rate) sci-fi movies feels wrong as Nolan is too smart a man to fall into such holes.

Cooper speaking with Amelia (Anne Hathaway) as they try to determine what to do next as they search for a habitable planet.

Cooper speaking with Amelia (Anne Hathaway) as they try to determine what to do next as they search for a habitable planet.

Yet, the above-mentioned holes are not the only issues staring back at Interstellar. Like Inception, Interstellar is so plot heavy it has no time for character development. For any film, it is excusable not to give peripheral characters proper story-arcs since that bloats the film’s running time unnecessarily and can render a film with a terribly swollen cast (like Interstellar) impractical to make. But what is not excusable for any film, including Interstellar, is for the major characters to not have proper story-arcs. This is because one of the most fascinating parts of a film is the journey the main characters go on and watching how the journey affects them, for good or ill. Without such story-arcs for the major characters, Interstellar feels like a large plate with little food on it: somewhat unsatisfying.

Over-all, Interstellar is a very ambitious, intelligent and challenging movie. Yes, it has plenty of plot problems. And, yes, it does not give its characters enough time for sincere character growth. On the flip side, though, the movie is made worthwhile by the stunning landscapes, the spectacular special effects, the spellbinding music, and the interesting ideas that are seldom explored in films. Suffice to say, Interstellar does not make for an easy 167-minutes and the film would have ended up as a total mess if it were to have been directed by anyone other than a master of his/her craft. This underlines why Christopher Nolan is such an extraordinary director and why he rightly stands among the best in the business in Hollywood.

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