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Review – Kingsman: The Secret Service (15) [2015]

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Star Rating: 3.5/5

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Matthew Vaughn and Jane Goldman make an awesome screen-writing couple. Together, they wrote the hilarious Kick-Ass and the first-rate reboot of the X-Men franchise. Now, they are back in comical fashion with the secret service spoof, Kingsman: The Secret Service.

harry (Colin Firth) showing Eggsy (Taron Egerton) the secret way of entering the world of a Kingsman.

harry (Colin Firth) showing Eggsy (Taron Egerton) the secret way of entering the world of a Kingsman.

Kingsman is based on the comic-book by Mark Millar. It is about a young man from South London called Eggsy (Taron Egerton), who is descending into a life of violence, drink, drugs and crime when secret agent Harry (Colin Firth) pays him an unexpected visit. Harry offers him the chance, which Eggsy accepts, to train and become a secret agent/Kingsman to stop Valentine (Samuel L Jackson) from making the world anew with his new invention.

Kingsman is a stylish and entertaining film. At its core, the movie is a satire on the spy thriller genre and James Bond in particular (which, itself, was a satire on the world of espionage until Daniel Craig’s Bond hijacked the franchise). Yet, Kingsman has a (charming) stick-two-fingers-up attitude that most spy thrillers and James Bond films would never dare employ. This attitude has a strangely endearing quality and hints at why Vaughn turned down directing X-Men: Days of Future Past in favour of making Kingsman. This attitude not only makes the film worthwhile-viewing, it reminds audiences of why they loved Kick-Ass so much back in 2010.

Roxy (Sophie Cookson), the obligatory babe, trying her luck to become a Kings(wo)man.

Roxy (Sophie Cookson), the obligatory babe, trying her luck to become a Kings(wo)man.

It also helps that Kingsman is ludicrously funny. Vaughn and Goldman have an impeccable understanding of the most essential ingredient for comedy: timing. As a result, the numerous jokes, touché lines, exaggerated action sequences, and amusing special effects all work throughout the film’s 129-minute running time. Indeed, one is likely to be so amused by the ridiculousness of the movie that one is unlikely to care that the plot is cliché and overblown, or that the actors take themselves as disingenuously as their counterparts did in Knight and Day, Mission: Impossible IV and This Means War.

Valentine (Samuel L Jackson) looking laughably ridiculous as the utterly camp villain, wanting to start the world anew.

Valentine (Samuel L Jackson) looking laughably ridiculous as the utterly camp villain, wanting to start the world anew.

No-one epitomises the preposterous nature of the storyline and the acting as much as Samuel L Jackson (SLJ), as the camp, 1980s-dressed, lisp-impaired villain of the film (named Valentine to cap it all). When one is used to watching SLJ as the stern and authoritative Coach Carter and Nick Fury, one has to blink repeatedly (and with disbelief) to remember that Valentine is the same man. But credit to SLJ: he performs insincerely admirably as Valentine without disgracing himself. The same can be said for Colin Firth, Michael Caine, Mark Strong, Taron Egerton and Sophie Cookson, even if their roles are far less humiliating than SLJ’s.

Over-all, Kingsman: The Secret Service is an enjoyable film, provided it is taken with a handful of salt. The movie is absurd and over-the-top in all departments. But it is a very funny and entertaining spoof on James Bond and the spy genre in general. Thus, like with Kick-Ass and X-Men: First Class before, Matthew Vaughn and Jane Goldman have scored again with Kingsman, and long may they keep scoring.

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Review – Interstellar (12a) [2014]

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Star Rating: 3.5/5

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There are some directors whose movies are simply a cut above the rest. Steven Spielberg, David Fincher, Alfonso Cuarón and Martin Scorsese do not necessarily make films often, but when they do their films are invariably of the highest quality. Christopher Nolan rightly has a place among these filmmaking giants and his latest movie, Interstellar, confirms this despite the film’s problems.

Professor Brand (Michael Caine) explaining the mission and its purpose to Cooper (Matthew McConaughey)

Professor Brand (Michael Caine) explaining the mission and its purpose to Cooper (Matthew McConaughey)

Interstellar is set in the not-too-distant future. The Earth will soon be unable to sustain life due to crop failures. Mankind needs to find a new planet in order to survive. With the situation desperate, Cooper (Matthew McConaughey) leads a team of astronauts into space so as to find another planet that can sustain habitable life.

Interstellar is an ambitious, innovative and stimulating movie. Like The Dark Knight Trilogy, The Prestige and Inception, Interstellar is a film full of ideas such as Murphy’s Law, gravity, love, and how time bends in space to name but four. These ideas keep viewers fully occupied throughout the film’s 167-minute running time. As in the above-mentioned films, Nolan again illustrates his intelligence by writing an ingenious script that holds much realism and does not fall into the generic (and dull) intergalactic ray-gun war between men and monsters. Nolan must be applauded for it and for not patronising his audience (harrumph Michael Bay).

Cooper saying goodbye to his little daughter, Murphy (Mackenzie Foy) before he goes on the mission.

Cooper saying goodbye to his little daughter, Murphy (Mackenzie Foy) before he goes on the mission.

Granted, most viewers probably will not completely comprehend Interstellar’s dialogue as one may need to be a quantum physics professor and an astrophysics nerd for that. If viewers are neither of those and find the dialogue difficult to grasp, they can still easily enjoy the film simply by sitting back and admiring the awesome sceneries, the breath-taking special effects, and the phenomenal music. The CGI and the music, in particular, make audiences feel like they’re on a wonderful rollercoaster ride through space, and the length of the film enhances this riveting sensation.

However, not even this terrific sensation can override or conceal the gaping holes in Interstellar’s storyline (as a train could fit through them). These holes stem from moments of tension that are there solely for the sake of tension (and filler) rather than advancement of the storyline; and from the ending being too rushed and contrived for the movie to make sense. With most directors, viewers would generally accept these plot holes as par for the course. But with Nolan, viewers expect better. Scenes of tension in his previous films have had consequence(s) upon the storylines, and he has given us some of the most original, thought-provoking and satisfying endings in movie history. To see his film suffer from similar problems as those of (cheesy) action films and (second-rate) sci-fi movies feels wrong as Nolan is too smart a man to fall into such holes.

Cooper speaking with Amelia (Anne Hathaway) as they try to determine what to do next as they search for a habitable planet.

Cooper speaking with Amelia (Anne Hathaway) as they try to determine what to do next as they search for a habitable planet.

Yet, the above-mentioned holes are not the only issues staring back at Interstellar. Like Inception, Interstellar is so plot heavy it has no time for character development. For any film, it is excusable not to give peripheral characters proper story-arcs since that bloats the film’s running time unnecessarily and can render a film with a terribly swollen cast (like Interstellar) impractical to make. But what is not excusable for any film, including Interstellar, is for the major characters to not have proper story-arcs. This is because one of the most fascinating parts of a film is the journey the main characters go on and watching how the journey affects them, for good or ill. Without such story-arcs for the major characters, Interstellar feels like a large plate with little food on it: somewhat unsatisfying.

Over-all, Interstellar is a very ambitious, intelligent and challenging movie. Yes, it has plenty of plot problems. And, yes, it does not give its characters enough time for sincere character growth. On the flip side, though, the movie is made worthwhile by the stunning landscapes, the spectacular special effects, the spellbinding music, and the interesting ideas that are seldom explored in films. Suffice to say, Interstellar does not make for an easy 167-minutes and the film would have ended up as a total mess if it were to have been directed by anyone other than a master of his/her craft. This underlines why Christopher Nolan is such an extraordinary director and why he rightly stands among the best in the business in Hollywood.

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